Although I am best known for my var­i­ous dif­fer­ent roles and ap­pear­ances as a broad­cast per­son­al­i­ty, I am a busi­ness­man by trade. I work pri­ma­ri­ly with Tem­po, an e­sports team and me­di­a com­pa­ny turned game de­vel­op­ment stu­di­o; I help run the cor­po­rate side of le­gal, fi­nance, and HR ad­min­is­tra­tion. I also pro­vide busi­ness ad­vi­so­ry serv­ices to en­tre­pre­neurs and pub­lic fig­ures. You can find more de­tails on my CV.

I'm 34 years old and live in Las Vegas. In my free time, I like to write, cap­ture pho­to­graphs, train mixed mar­tial arts, play mu­sic, and pur­sue fi­nan­cial in­vest­ment op­por­tu­ni­ties. Gen­er­al­ly, I pre­fer to do ac­tiv­i­ties that ex­pose me to nov­el ex­pe­ri­ences or help me de­vel­op new prac­ti­cal skills.

Those who know me well often de­scribe my per­son­al­i­ty as “meticulously-controlled chaos.” The MBTI types me as INTJ. I'm split be­tween In­ves­ti­ga­tor (Type 5) and Chal­leng­er (Type 8) on the Enneagram. My CliftonStrengths Top 5 are De­lib­er­a­tive, Learner, An­a­lyt­i­cal, A­chiev­er, and Com­pe­ti­tion. I score high­est in Well-Being, Self-Control, and E­mo­tion­al Sta­bil­i­ty on the SPI-27. My top trait on both the Big Five and HEXACO-PI-R is Con­sci­en­tious­ness.

I don't use so­cial me­di­a much, but my pro­files are Parkzer on Twitch, Adam Parkzer on YouTube, @Parkzer on 𝕏, Adam Parkzer on LinkedIn, Parkzer on Last.fm, and Parkzer on Letterboxd. I don't have any se­cret “alt” or “friends only” ac­counts. Never send cash, gift cards, or cryp­to­cur­ren­cy to any­one claim­ing to be me—they are all im­per­son­a­tors and scam­mers.

Below, you can find my blog where I doc­u­ment my ad­ven­tures, or­gan­ize my thoughts, and share snip­pets of my life. You can browse in re­verse chron­o­log­i­cal or­der, or you can sort by these pop­u­lar cat­e­go­ries: Highlights | Food | Las Vegas | Tourism | Travel | Flights | Cruises | Face | Finance

 

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Hello, Bazaar Mar by José Andrés at The Shops at Crystals on the Las Vegas Strip

A few months ago, I tried The Bazaar Tasting Menu at Bazaar Meat by José Andrés inside The Palazzo at The Venetian Resort, and I had a great experience. I got fantastic value for my money, the food quality overall was very high, their unique and innovative concepts are in alignment with what I believe makes a restaurant great, and I want to go back at some point to try José’s Ultimate Tasting Menu (the other tasting menu that I didn’t have).

However, no matter how amazing Bazaar Meat was, there is still one minor problem for me: their dishes are heavy on red meat. Unfortunately, I still need to be heart-health conscious and minimize the amount of saturated fat I eat; although my cholesterol levels have become far more manageable now, I’m still at high risk for hereditary heart conditions. Thus, I like to indulge in red meats sparingly, and where possible, I shift my diet towards focusing more on fish, poultry, and vegetables.

There is some great news though. Bazaar Meat is known for their delicious and high-quality steaks that have incredible marbling and impeccable preparation, but they also have a sister restaurant that upholds the same reputation but focuses on seafood instead. That obviously is a great match for me, so late last week, I dined at Bazaar Mar by José Andrés, located inside The Shops at Crystals on the Las Vegas Strip.

Bazaar Mar also had two different tasting menus: The Bazaar Mar Experience for US$175.00 per person, with an option to add a discovery wine pairing for a supplemental US$150.00 per person; and José’s Creative Experience for US$235.00 per person, with an option to add the ultimate wine pairing for a supplemental US$220.00 per person. For this meal, I decided to try out The Bazaar Mar Experience, with an intent to come back and try José’s Creative Experience on a later day if I have a good experience.

I’m glad I don’t drink alcohol, because it’s wild to me that some sips of wine to go along with your meal can end up being almost just as expensive as the entire tasting menu itself. Instead, I opted to get two non-alcoholic beverages. One of them was given to me complimentary because Bazaar Mar is running a special promotion right now where locals get one free drink with a purchase (though I’m not sure whether any Nevada ID would qualify, or if the ID has to have an address listed that is within the Las Vegas Valley). The second one is one I selected and paid for.

 
The first course, called “a bite or two to welcome you,” came with three items. The first was oyster ceviche with leche de tigre and corn nuts.

I love the flavor of oyster so I usually don’t add anything to it that could potentially diminish the strength of the flavor of the oyster. If a restaurant serves oysters with a set of sauces, I usually don’t use any of the sauces and end up eating the oysters plain (or with a very small amount of lemon juice) because I like oysters that much. Sometimes, if there is some sea salt available and the oysters are extra good, I will salt the oysters to further enhance the flavor of them.

With that in mind, I think it’s reasonable to assume that I don’t like oysters that have a lot of preparation behind them. However, this oyster ceviche was actually quite good. The sauce added a bit of sourness to the overall flavor profile, but the level of sourness stopped at the perfect level such that it didn’t interfere with the taste of the oyster. I like nutty flavors, so the corn nuts not only added a different angle to the flavor profile, but also added a fun textural contrast to the bite.

Along with the appetizers, my complimentary drink came out: the Emerald Coin, made with Seedlip Grove 42 non-alcoholic spirit, honeydew, lemongrass, lime, and celery. If I wasn’t a local, this would’ve cost US$16.00.

This is a flavor profile that I don’t have often, so I enjoyed the unique aspect of it. It was a nice, balanced mixture of sweet fruitiness and earthy vegetable…ness. At first, I thought the portion size was a bit small, but I think the shape of the glass was deceptive; I sipped this throughout my first few courses, and it was enough to last me past when my second drink came out.

The next bite was José’s Taco with jamón Ibérico de bellota, Ossetra caviar, nori, and gold leaf.

I’m usually not the biggest fan of jamón Ibérico because the flavor can be a bit basic and overpowering, but this jamón was great. It was relatively mild, yet still had a rich, meaty flavor. The seaweed was relatively mild as well, which allowed the taste of the caviar to come through prominently.

The third bite was a river trout cone made from Smoke in Chimneys trout shaped into a flower, with preserved Meyer lemon and dill.

The presentation was nice, but even if it wasn’t formed into the shape of a flower, it would’ve still been fantastic. The trout had a strong but very clean and crisp fish flavor. When the server brought this out, she recommended that it be eaten in two bites at once, i.e., bite the top off, then put the rest in your mouth and chew together. The sauce at the bottom of the cone was very complementary to the fish, so I’m glad she pointed that out.

The next course was called “a trip around the world, The Bazaar world.” This started with monkfish ssam containing fried monkfish atop gem lettuce, sauced with black garlic romesco and aioli, and topped with lemon foam.

The fried monkfish tasted very clean. It felt like it was grilled and seared monkfish, but with a light and refreshing layer of breading on it, and injected with all the positives of the fried flavoring without any of the greasiness. I couldn’t really pinpoint the specific flavors of the sauces, which I found to be a good thing; they meshed well with the fish flavor and didn’t overwhelm it at all.

Next was kueh pai ti, described on the course list as Singapore’s favorite street food. Inside, it contained ama ebi shrimp, peanuts, and chili sauce.

This was my favorite bite of the dinner. It was an incredible explosion of flavor containing basically all of my favorite elements—seafood, nuttiness, and spiciness. I feel like I literally could’ve had ten more of these and still wanted more.

Afterwards came Hokkaido sea scallop crudo with tomatillo and seeds aguachile, green grapes, and jalapeño-cucumber oil.

This was my second favorite dish of the night. The quality of the scallop was incredible. Scallops are usually on the milder side with flavor profile, but these tasted quite strong. The sweetness of the grapes worked really well with the scallop. The oil was absolutely packed with flavor, and it seems like they dried the other ingredients well enough that the oil really stuck to everything and enhanced every bite. The oil was so delicious that I grabbed a spoon and literally scooped and drank it like soup after I was done with the solids.

In preparation for the next course, my second drink came out: Mediterranean milk punch made from lemon, lavender, mint, green cardamom, orange blossom, and grenadine. The liquid itself was clarified from Greek yogurt and milk. This was not included in the tasting menu and cost an extra US$18.00.

If I’m paying extra for a drink at a restaurant, I want to make sure that it’s something I can’t get at a grocery store somewhere. This Mediterranean milk punch far exceeded my expectations in that regard, because it was unlike anything I had ever tasted before. It had a very subtle and smooth underlying dairy base, but the top notes were a dynamic mixture of a lot of fun, fruity flavors.

The third course was called “from ocean depths to garden heights.” This started with their Po Boy José! made with fried baby squid and aioli packed inside a steamed brioche bun, served with a pepper to nibble on on the side.

I think people underestimate how difficult it can be to make the perfect sandwich. I think our expectations of sandwiches are reasonably pretty low, and if it just generally tastes like meat, vegetables, and bread, then most people are satisfied. However, if you really consider the flavor profile of a sandwich, you will often realize that it is very easy to get a proper balance of flavors of all the different elements of the sandwich.

This po boy nailed the balance perfectly. Not only was the squid nice and flavorful, but the way it was fried made it so you could detect the fried flavor, but it was still a seafood-forward flavor profile overall. I think the bread was intentionally slightly underseasoned, which ended up being great because it allowed it to supplement the squid flavor rather than making the sandwich too bready. Even the pepper was perfect—it was a relatively mild pepper, but it still had enough sourness to it to help cut through the creaminess of the sauce.

Next up was a tomato salad made with heirloom tomatoes inside ginger lime syrup and topped with citrus soy glaze.

I think these might have been some of the best tomatoes I’ve ever had in my entire life. The tomatoes themselves were high quality and had a natural sweetness with no sourness. However, the sauce was world-class. I think the soy glaze had a very similar flavor profile to soy sauce, but without any of the excessive saltiness, so it tasted like these tomatoes were marinated in and then brushed with a thickened version of just the flavor of soy sauce, with no salt, and diluted perfectly to the point where its intensity matched the intensity of the tomatoes exactly.

As a side note, this was a comically large portion size of tomatoes, and I think it is sized for two people to share. That was obviously no problem, though; these were delicious enough that I happily ate the entire thing.

And finally, the last dish before the main entrées was a Maine lobster croquette with lobster and shrimp fritters, served with a side of saffron aioli.

This was decent, but probably the most underwhelming dish of the tasting menu. Compared to the other dishes tasting extra clean, crisp, refreshing, and well-balanced, this croquette was far more “normal” and on the heavier side.

It was now time for course number four: “where the sea meets the land.”

At the beginning of my meal, my waitress asked which dish I wanted for the main course, with my options being chicken or salmon. Of course, I picked the salmon. However, after reviewing the course list again, I realized that I was supposed to get both the main entrées, rather than needing to pick just one. The next time she came around, I brought it up and asked her about it. She said that the tasting menu only comes with both if you are dining as a group of two, and solo diners only get to pick one or the other.

I asked her if it was possible for me to get half portions of each. She said she would go to the back and ask the chef; after several minutes, she returned to my table and said that the chef said they’re willing to let me have both, and that wouldn’t be a problem.

The first entrée was pollo al ajillo made with Josper-roasted chicken and ajillo sauce.

When this came out, I was confused. This was such a large portion of chicken that I suspected they might not have given me a half-portion of it like I had mentioned to the waitress. Subsequently, I was concerned that, not only did they not give me half-portions of both, but they ended up just giving me a full portion of chicken and skipping the salmon.

I think I had a very unlucky first bite of this chicken, because the edge piece of the pre-cut section was quite dry. However, that first bite was definitely a fluke. When I ate more of the chicken, the next part was immediately far more tender and delicious. This ended up being a bit too salty for my preference, though I’m not sure if the saltiness came from the chicken brine or the sauce.

Shortly afterwards, to my surprise, the salmon came out too—this was Ōra King salmon grilled over wood fire and served with salmon roe atop Meyer lemon sauce.

Now I was even more confused, because this also seemed like a full portion of salmon. When I had a chance, I asked my waitress whether the kitchen forgot that I was alone and inadvertently gave me full portions instead of half portions. She then responded that the kitchen doesn’t actually do half portions of anything, so they made me full portions of both. I thanked them and offered to pay an upcharge for receiving a second full-size main entrée for free, but she said it was fine and that the kitchen said it was all good.

This is the best salmon I’ve ever had in my entire life. It was cooked pretty rare, so I was able to get both the raw salmon and cooked salmon flavor combined in each bite. The salmon in general was absolutely packed with flavor. The fish tasted almost as if it was denser, as in, there was more salmon flesh and fat packed into each cubic centimeter. The skin was also incredible and added a fun crisp to each bite. To top it all off, chewing into the salmon roe coated my tongue in its oozy goodness so I had a rich flavor to keep my tongue occupied in between bites.

The side dish to go along with the chicken and salmon was Josper-roasted carrots with olive oil labneh yogurt, carrot gastrique, and sumac.

The carrots were cooked to perfection. They were both soft and firm at the same time, and had a rich broiled texture on the inside with a more charred exterior. For lack of a better way to describe it, there was also a facet of the carrots that made me think that they were very slightly dehydrated as to intensify the carrot’s sweeter element.

I think the sauce was a little bit too strong and overpowering, but that was obviously easily solved by just using less of it when I dipped the carrots into it.

To conclude the meal, the fifth course, serving as the dessert, was named “seaside treat, lime and sweet.” It consisted of their key lime beach, made from key lime mousse, graham cracker crumble, and lime air.

It’s as if this dessert was custom-modified to fit my personal preferences. I like key lime pie, but funny enough, my favorite part of it is the crust. This key lime beach, as you can tell by the name, had a far more generous portion of the graham cracker crust (in crumbled form) than what you’d find in a regular slice of key lime pie.

The fact that it had the lime foam was also fun. When eaten alone, it was very light and mild; when combined with bites of the key lime mousse and graham cracker crumble, it was unnoticeable. Regardless, it obviously made the presentation much better, and it made sure the tasting menu ended on a positive, artistic note.

Here are some photos of the interior of the restaurant.

It’s empty because I booked my reservation for 5 PM when they first opened, and I took the pictures while I was waiting for my first course to arrive. My meal took right around two hours, and as I progressed through the tasting menu, it got fairly busy to the point where it felt pretty packed by the time I finished my dessert.

For full transparency’s sake, I also got an additional 10% discount on my meal. However, that discount had nothing to do with this restaurant in particular, the discount has a set of external requirements in order to qualify for it that are unrelated to me as an individual, and there was no favoritism or subjectivity surrounding the discount. I did not receive a special invitation to this restaurant, and the staff did not know I was coming beyond a reservation I put in through their public booking portal a few hours before I showed up.

With that discount, which was separate from the complimentary beverage I received for being a local, my subtotal came to US$173.70. Sales tax at 8.375% came to US$14.55. I added a gratuity of US$60.00, which brought the grand total for the meal to US$248.25. For the record, I am still fairly staunchly against tipping culture and generally only tip around 15%, but I felt the almost 35% tip this time around was well deserved due to the fact that I seemed to not only have gotten far more food than I was supposed to, but also got it at a great price.

It’s probably needless to say at this point based on my detailed descriptions of how much I liked the food and why, but I highly recommend Bazaar Mar. This restaurant is probably a seafood enthusiast’s dream come true with the variety of different kinds of seafood they serve, and the innovative and unique nature in which they prepare the dishes. I would consider my meal an oceanic success, and I’m looking forward to going back to try José’s Creative Experience in the future.

 

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Hello, The Vault Menu at Gymkhana in the Aria Resort & Casino on the Las Vegas Strip

In late 2025, Gymkhana opened a location inside the Aria Resort and Casino on the Las Vegas Strip in the unincorporated town of Paradise, Nevada. I like keeping up with new restaurants and attractions in the Las Vegas Valley, so I browsed their website to see if it was something I would want to try out. Lately, I have been enjoying experiencing tasting menus because I like the idea of being able to try smaller portions of a lot of different things as determined by chefs who have decided for me what I eat. When I saw that Gymkhana had a tasting menu, I promptly put it on my list of restaurants to try.

Since then, several months have gone by. I had been keeping an eye on Gymkhana’s reservation availability, but very often, they were fully booked out around 45 days in advance. Because of my erratic travel schedule, I generally don’t put in reservations too far in advance, so I ultimately just decided on waiting until the hype settles down before I go to Gymkhana myself.

Throughout this waiting process, I noticed something intriguing. On Google Maps, Gymkhana’s listing settled at around the mid-3 stars in rating and did not really show any signs of climbing up into the 4s. This made me even more interested in dining there, because Gymkhana has an award-winning location in London, and I figured that at least some of that food and culinary skill would carry over to Las Vegas. I wanted to find out for myself whether the poor ratings were justified, or if people were just getting upset about certain things and then being extra harsh in their reviews.

Last night, I had some friends in town whom I decided to join for dinner. They had a few options for restaurants already in mind, and they ended up picking an Indian spot in Town Square. They mentioned that they had a prior obligation scheduled for the evening, so they would have to book the dinner late at night. Well, it happens to be that Gymkhana is also an Indian restaurant; it’s only about 4 miles further north; and lately, if you don’t want to book too far in advance, the only available time slots are around 8:30 PM and after. I checked seating availability for the same night, and 9 PM happened to be open. I proposed changing our dinner venue to Gymkhana instead due to its circumstantial similarities with their other choice; my friends happily agreed.

We dined as a party of three. Apparently, according to the reservation platform, that counts as a “large party,” which unlocks a special tasting menu called “The Vault.” When I go to tasting menus, I usually go either alone or with only one other person; thus, I realized that this may be a rare instance where I will be able to try Gymkhana’s “The Vault” menu that I otherwise would not be able to try in my routine dining system, so I locked that in during booking. This cost US$195.00 per person.

Before I start, I want to point out that the lighting in the restaurant was nice to set a certain mood, but horrific for photography. Gymkhana was probably one of the darkest restaurants I’ve ever been to. We were seated very deep in the restaurant where there were no windows, neither to the outdoors nor to the resort. There were some chandeliers hanging above some tables, but the table at which we were seated had little lighting. The only reason we could see was because there were small lamps on the table, but they were aggressively orange. When preparing my photographs for upload, I made a frail attempt at white balancing the color temperature before realizing how futile my efforts were and just posting them as-is.

The tasting menu started with two appetizers. The first was a pappadum selection. There were four different kinds of pappadums: lentil, chickpea, potato, and rice. This was served alongside three accompaniments: coriander and mint chutney, sweet lime pickle yogurt, and Goan prawn chutney.

I enjoyed the pappadums, and it felt like this was a more premium substitution for a bread basket that would be served by other restaurants. Because I’m not familiar with the ingredients (which will end up becoming a recurring theme throughout this entire meal), I couldn’t tell which accompaniment was which. Visually, my favorite was the reddish one that had a chunkier consistency, and then the creamier one that looked like spicy mayo (but definitely did not have the taste of spicy mayo). The runnier green sauce was good too, but I liked the other two more because the other two seemed like they had more depth to their flavor.

The second appetizer, which was served at the same time as the first, was a set of gol guppas. This came out as fried wheat puffs with a side of potatoes and moong lentil sprouts. Some of it was served as a pastier sauce consistency, while some of it was served in a miniature cup-pitcher hybrid with mint and cumin water underneath.

The waiter advised us to poke a little hole in the top-center surface of the wheat puffs, which were hollow inside. We would then scoop and pour in the potatoes, lentil sprouts, and mint and cumin water. I think I didn’t make the hole large enough because it was tricky to get everything inside the wheat puff, but once I got as much as I could in there, I ate it all in one bite and it was very flavorful.

According to the course list, the next dish was supposed to be aloo chaat with crispy fingerling potatoes, sweet yogurt, tamarind chutney, and gram flour vermicelli. However, this next plate is what we received instead. Because I don’t know much about Indian food, I’m not sure if this is just a modified version of aloo chaat, but visually, this is significantly different from what I see when I search up pictures of aloo chaat.

Regardless, this was delicious. We still had pappadums left from the first appetizer course, so I broke them up into smaller pieces and then used them to grab heaping scoops of this. If this is hypothetically also considered an accompaniment along with the other three that were provided with the pappadums, then this would’ve overwhelmingly been my favorite.

For my beverage, I ordered salted lemon nimbu pani, which the menu described as a take on Indian fresh lemonade with salted lemon and spiced salt. This was supplemental to the tasting menu and cost an extra US$15.00.

It’s not very obvious from the photograph, but there is a gigantic block of ice stretching vertically from the bottom to the top of the glass, and the slice of lime at the top of the drink is sitting atop the block of ice. The actual volume of beverage I got for this was very small, and it did not come with refills. It was good lemonade, and the spiced salt did add a unique facet to it that is otherwise not found in regular lemonade, but it was absolutely not worth it for the price.

The next dish was amritsari shrimp and scallops with red chili and carom seed batter, with a side of dill raita.

This was an overwhelming explosion of flavor. This had an underlying taste of being heavily fried, but because there was so much flavor to it, it didn’t have that oily, greasy taste or sensation that you get from eating regular deep-fried foods. The spices had a bit of a kick to them, so after finishing my portion of this, my nose started running a bit. Adding a generous portion of dill raita to each bite helped counteract and smooth out the spiciness.

The shrimp was great, and even though the batter and spices were very intense and piercing in flavor, I thought it went along well with the shrimp. However, using this preparation method for scallop felt a bit suboptimal. Maybe this is because I don’t eat much Indian food so I am highly sensitive to the pungency of the spices, but the flavor of the scallop seemed to just be completely drowned out by the other flavors. (For those who are not aware, scallops have a relatively milder flavor, so it’s usually served with minimal garnishes.)

Afterwards, we each received one tandoori masala lamb chop with red chili, ginger, fenugreek, garam masala, and walnut chutney. (Yes, there were originally three, but one person was very eager and expeditiously grabbed a lamb chop before I had an opportunity to snap a photograph.)

Just like the amritsari shrimp and scallops, these lamb chops were also an overwhelming explosion of flavor. This not only had a high intensity of flavor, but it also had a high variety of flavor in each bite.

I am generally not a particularly expressive person if I’m just doing regular day-to-day things and not fulfilling a role in entertainment or performing arts. I have been told that I am especially inexpressive around men, but even around my regular female friends, it has been a running joke about how it’s a funny puzzle to try and guess whether or not I like something I’ve just eaten, because I am usually in deep thought and analysis about the food in my mouth, and that often results in me having a serious face.

This lamb chop inadvertently induced an expression on my face. My reaction to this was so intense that apparently my body had to spew it out somewhere. I looked up and declared “there is so much happening in this lamb chop that I have no idea what’s going on.” I could tell that it was a great-quality lamb chop, but the seasonings and flavors covering the lamb chop were so over-the-top that it was hard to get a handle on it. It felt like my entire mouth was used as a stewing pot for the entire spice cabinet.

With that being said, it wasn’t bad. Usually, if you are ambushed with a ton of different flavors all at once, there is some degree of dissonance among the flavors. I imagine that if this kind of situation happened in any other context, I’d be taken aback and likely wince at the taste. However, this lamb chop wasn’t bad at all. It’s been a day since I had this, but thinking back on it, I am still confused about it right now. I still don’t know where to even start in terms of figuring out what it was seasoned with, let alone whether or not I genuinely enjoyed it. If I was committed to figuring that out, I reckon that I’d need to eat at least a few more of these on multiple more occasions so my taste buds can get more accustomed to it first.

After we finished the lamb chops, it was time for the main courses. One of them was Goan lobster curry with coconut milk, coriander, and red chili. This was served alongside black lentil dal maharani, saag makai, a bread basket, and some basmati rice.

The curry was good, but I’m not sure if I am particularly impressed by the lobster. The best way for me to describe this is that the curry was sort of off doing its own thing, and the lobster came along for the ride as an afterthought. Seafood is my favorite type of food and I very much like lobster (not because it’s expensive, but because I actually like the flavor of it), so I am far more alert to the nuances of the quality and preparation of lobster. The lobster in this curry acted not as the headliner of the dish, but as a supplemental addition to the curry itself.

The naan was incredible. There was a bunch of different kinds of naan, and all of it tasted amazing. I wasn’t able to have as much of it as I wanted because my friends also really liked the naan and ate a lot of it. The waiter offered to bring us more naan, but unfortunately, because of how late we got to the restaurant, the kitchen was already wrapped up by that point and had already discarded the charcoal they use to cook the naan, so we weren’t able to get a refill.

The second main course was supposed to be beef short rib pepper stir-fry with South Indian spices, coconut, and flaky Malabar paratha. However, the waiter let us know that there was an alternative for this dish that he would recommend instead: their venison biryani with braised venison, saffron pilaf rice, and pomegranate and mint raita.

When there is a pre-determined course list for a tasting menu, I usually like to stick to the menu, not only because I trust the chef who designed it with the flow and progression of flavor profiles in mind, but also because, when I share my experience on my blog, I want it to be replicable by other people (i.e., by going to the same restaurant and ordering the same tasting menu, if it is still in season). However, the waiter made it sound like it was a very appealing substitution, and my friends were on board with it, so I agreed to get the venison biryani instead of the beef short rib pepper fry.

The biryani came uncut, and its preparation was finished tableside. The server used a knife to cut off the top, then mixed the rice, venison, and spices together until it was ready to eat.

I think they made it wrong.

I know that sounds absolutely ridiculous coming from someone who knows nothing about Indian food, but the taste was noticeably off. Unfortunately, I know that I know nothing about Indian food, so rather than bring it up with the waiter, I instead second-guessed myself and just assumed that this was another one of those new, wild, crazy, intense flavors, just like I had already experienced many times earlier that dinner.

This entire dish tasted ashy. For lack of a better way to put it, this tasted like someone had crushed up a bunch of nearly-spent wood embers into powder, soaked it into water, strained the water so all the solids were left behind, and then used that water to cook the rice. To be clear, it didn’t directly taste burnt; it just tasted like ash. I prodded at the rice and mixed it around some more to see if I was able to find any excessively charred or discolored portions, but it looked pretty normal. There was no particular single component or element of the biryani that tasted ashy; the ashiness was such a core part of this dish’s identity that it was almost as if the intended flavor profile was to be ashy.

The reason why I suspect that this was prepared incorrectly is because, contrary to the intense flavors of the shrimp and lamb chop, the biryani actually induced an unpleasant sensation. More specifically, the flavor of the lamb chop was so intense that it was overwhelming, but there was something about it that made me not want to stop eating it. On the contrary, the ashiness of the biryani was also overwhelming, but it overwhelmed me to a point of not wanting to have more.

The tasting menu came with enough food that we had a lot of the main course left after we were all full, so we requested for the leftovers to be packaged into takeout boxes. I ended up keeping a majority of the leftovers, which was good, because I wanted to investigate this biryani further. The next afternoon (i.e., earlier today), I heated up the saffron pilaf rice and venison in the microwave to try some more and see if my taste buds would be more receptive to it. Unfortunately, the ashy taste persisted. The venison was palatable so I ended up finishing most of that as a good source of protein, but I threw out the rest of the rice.

For our first dessert, we were served rasgulla tiramisu made from soft cheese dumplings soaked in coffee and marsala, along with mascarpone cheese, pistachios, and rose petals.

This might be some of the best tiramisu I’ve ever had. It was noticeably different than other regular tiramisu I’ve had; it was greatly enhanced with extra earthy and floral flavors from the pistachios and rose petals.

Our other dessert was gold leaf gulab jamun, which were fried milk dumplings served with almonds and pistachios inside rose syrup and basundi milk.

The dumplings were pretty good, but the sauce was incredible. I made sure to re-dip the dumpling in the sauce continuously after each bite to get as much of it as possible. My friends just grabbed their dumplings without indulging much in the sauce, so I took advantage of the lack of utensil cross-contamination and finished all the remaining sauce myself as if it was soup.

Upon the conclusion of our meal, we were brought out some petit-fours: candied fennel chocolate truffles, and passionfruit and chili jelly. The waiter let us know that those particular nuts and seeds on the chocolate were selected because they are known to help with digestion.

Because we had a very late reservation slot, most of the dining room was already empty by the time we were done. Thus, I managed to get a few shots of the interior before we wrapped up and headed out.

This is the bar area between the front and rear dining sections.

This is the front dining section, closest to the entrance. Because they were closing and cleaning, they turned the chandeliers on at maximum brightness, so I was able to actually see what the dining area was like.

This is another bar that was right across from the front dining area. Again, this is well-illuminated due to the chandeliers being boosted to seemingly maximum brightness for utility purposes during closing, but usually, this area is extremely dim.

Overall, I am tentatively satisfied with my experience at Gymkhana. Obviously, the ashy venison biryani is an issue, especially considering that it was talked up as a great substitution for the main course in The Vault menu, and even on their regular à la carte menu, it is prominently highlighted as one of their flagship entrées. However, I am still not confident enough in my understanding of Indian cuisine to make a certain statement about it.

The service was excellent. Our waiter was very attentive, he responded to all our questions in a thorough and knowledgeable way, and he demonstrated great care for our enjoyment and satisfaction. Beyond our waiter, we also encountered a few other staff members throughout our dinner, all of whom carried out their roles in a polished and efficient way, while still relaying warmth and kindness.

As I mentioned before, I opted for The Vault menu because it was an opportunity to experience a tasting menu that I might not otherwise be able to in the future. After assessing this experience, I do want to return to get the regular tasting menu for US$165.00 per person, though I may wait a season or two to see if they rotate some of the dishes, as I noticed that there is some overlap with the appetizers between the regular tasting menu and The Vault tasting menu.

As for whether or not I recommend this restaurant to other people… I’ll let you know next time, after I learn more about Indian cuisine.

 

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Hello, BlizzCon 2026

This past weekend, I flew over to Anaheim, California to attend Blizzard Entertainment’s BlizzCon at the Anaheim Convention Center.

As you can probably tell by the name, BlizzCon is a convention dedicated to Blizzard and their various games. It was held almost annually between 2005 and 2019, only excluding 2006 and 2012. Then, the COVID-19 pandemic hit and marked the start of the BlizzCon cadence being thrown off quite a bit. The pandemic “postponed” the 2020 convention to the subsequent year, and then forced the 2021 one to be online-only. To make things worse, the 2022 convention was canceled entirely; although they did not cite it directly, people reasonably assume that it was due to their ongoing major lawsuit at the time, California Department of Fair Employment and Housing v. Activision Blizzard, Inc., No. 21STCV26571 (California Superior Court, Los Angeles County; July 20, 2021). BlizzCon came back for 2023, which I attended. They took 2024 and 2025 off, then returned this past weekend for the 16th BlizzCon.

Between 2015 and 2019 when my company Tempo still had its Tempo Storm esports division and we were still competing in the esports leagues of a number of Blizzard titles, I was regularly invited to BlizzCon as either esports support staff or as a member of the press. In fact, even though it originated during my time in League of Legends, it was actually Blizzard esports that popularized calling me Adam “Adam Parkzer” Parkzer, and then subsequently, Adam “Don’t call me ‘Adam "Adam Parkzer" Parkzer’” Parkzer. (If you don’t get it, it is a joke on the FirstName “Gamertag” LastName naming convention; due to me just using my full name everywhere, they filled in my full name as my “gamertag,” and then when I told people to stop doing that… well, you can see how that went.)

Being invited to things is nice, but can also be burdensome. If you’re at a convention for work, i.e., to make sure your professional players are taken care of, or to cover the announcements and make content about it, then those duties are always at the front of your mind. Even if you have no obligations at the convention, receiving a complimentary admission ticket by invitation has an implication that you have a “special” relationship with the company (at least, special enough that you get a free ticket) and that you have a soft expectation to portray the convention positively.

For example, if I had gotten a free ticket, I may have second-guessed myself when reminding everyone earlier that BlizzCon 2022 was canceled most likely due to the state government suing Blizzard for alleged sexual misconduct and discrimination against women. And if you know me, you know that I don’t like to pass up opportunities to inform people about bad things that have happened in the recent past so we can learn about them and avoid them happening again in the future.

For BlizzCon 2026, I did not reach out to any Blizzard contacts and I did not apply for media credential consideration; I purchased my normie ticket at full price out-of-pocket so I could enjoy the convention strictly as a tourist, and then say whatever I want about it on my blog afterwards.

 
With that somewhat rambly and borderline tangential introduction out of the way, here are some general impressions I had about BlizzCon.

First, it felt like the convention was wildly oversold. The reason I was looking forward to BlizzCon 2026 was because BlizzCon 2023 was actually quite peaceful and relaxed, and I expected it to be the same this year. BlizzCon in particular is appealing to me because a lot of Blizzard game fans are old adults now, so the general attendee-base is a lot more mature than what you’d see in other gaming conventions. The level of maturity seemed to have carried over to this year too, but the number of people there was frankly insane.

The worst way that this manifested was the lines. If BlizzCon 2026 had a nickname, it would be Wait In Line Simulator. Doing literally anything involved standing in a line that ranged in length from “very long” to “famishing.” I believe the line to get into Darkmoon Faire was over 5,000 people long when I checked (and that is a genuine underestimate, not an exaggeration). That particular line spanned up the escalators in Hall A and across the entire walkway to the far end of the North Hall, zig-zagging and snaking back and forth, folding in on itself multiple times over.

Another place this was visible was the main stage. There was a substantial amount of seating, but there were so many attendees that people were still packed almost shoulder-to-shoulder off to the side in the standing areas. I showed up to the opening ceremony a little bit late and could barely see what was going on because I was on the literal other end of the hall, right by the exit doors, as far away as you can possibly be from the stage.

As a side note, there was a bit of a problem with the seating. The chairs were quite medium. Now, medium chairs are usually fine, but the problem with stage seating was that the medium chairs were hooked together side to side so that the seats were touching to form a makeshift bench. The attendees at BlizzCon were just normal people who you’d expect to see at a convention in the United States, i.e., a good number of them either just had large statures, or were overweight. On the first day of the convention, I was in and out of the main stage viewing area because I was squeezing in looking at the exhibits between panels. Whenever I showed up and scanned the audience for seats, I’m fairly certain that at least 15% of them were always vacant because they were occupied by people’s shoulders or love handles.

Adjacent to the congestion, I thought BlizzCon was a little bit boring for me this year. Maybe it’s because I’m just so used to having a packed, back-to-back schedule of obligations and commitments in the past, but it felt like there was both nothing to do and too much to do at the same time.

One thing I appreciated about having special media access in the past is that there are dedicated computer stations for members of the press to try out the demos without needing to wait in long lines. I was not particularly enthused to stand in lines of hundreds of people to try the demos on the show floor, so I ended up not playing anything (otherwise, it felt like all I would be doing for the entire convention is standing in line).

I really enjoyed seeing all the exhibits, but after I spent a few hours slowly walking through everything, there wasn’t much else that was particularly engaging to me… except for one thing.

 
My favorite part of BlizzCon was seeing LE SSERAFIM perform live.

If you know me and know how uninterested I have always been about K-pop, then you might think that is an absolutely wild statement to come out of my mouth. But, I actually legitimately enjoy a good amount of their music. I also think the group was built well, and each member is quite likeable.

Their BlizzCon concert was better than I expected, and that’s even with my relatively high expectations from already knowing that they are great performers. They did 13 songs in 45 minutes, which is a very packed lineup. They maintained their high energy throughout, even with there being minimal talking time and a lot of back-to-back dancing and singing, which I obviously found quite impressive. I thought the setlist was built very well; it felt like the breadth of songs was selected to appeal to both casual fans who recognize viral hits, in addition to diehard fans looking for rare live renditions of less popular songs. Also of note were their outfits—compared to what they’ve worn in the past, it seemed like these were custom-catered to be particularly appealing to a Western audience.

If you thought me listening to LE SSERAFIM was wild, I’m about to say something even wilder: I showed up about four hours early for their show. To be clear, I didn’t just idly sit there staring at the ceiling and twiddling my thumbs. There was still stuff happening on the main stage during most of that period—I got to enjoy hearing about the upcoming release of Diablo V and watching the voice actors across the various Blizzard worlds sharing stories. However, I knew that the main stage would get packed for LE SSERAFIM’s performance, so I claimed a seat early to make sure I wasn’t stranded all the way in the back. I technically was early enough that I could’ve gotten a seat in the front-most section, but I figured I’d save those for their FEARNOTs (which is what they call their fanbase) who showed up with branded light sticks. (And I also wanted to avoid being constantly on screen for their live concert video.)

I didn’t record any of the performance because I knew that there was professional filming being done (and I’m just not the type to be holding up a camera the entire time at a concert anyway), but I did take some still shots—a few during their introductions, and a few when they walked forward onto the B-stage and were closer to the audience.

And before you K-pop fanatics ask: no, I do not have a bias. I respect and admire all five of them equally, each for their own individual reasons.

…

If you put a gun to my head and threatened to shoot me if I didn’t pick one, then my bias is Chaewon. And my bias wrecker is Eunchae.

Remember how I mentioned that I showed up a bit late to the opening ceremony and could barely even find space in the standing area? Well, this was my view.

Do you see where it seems like there are people standing on the stage? Well, look carefully. Those are actually the static camerapeople who are set up halfway down the seated area. The actual stage is double that distance away.

This is what the Overwatch area looked like. I don’t play Overwatch (or pretty much any first-person perspective games) because it gives me motion sickness, so I didn’t really know any of the characters or understand any of the references, but apparently the reason LE SSERAFIM was even at BlizzCon at all was because they did a collaboration with Overwatch.

In the far outskirts of the hall, there were sections set up for some of Blizzard’s more “neglected” games, like Heroes of the Storm. Tempo Storm used to have a professional Heroes of the Storm team, so I used to play it a lot, but then they added loot boxes and abruptly terminated the league, so I haven’t even opened the game at all for several years now.

They set up a nostalgic Heroes of the Storm showmatch and invited back a bunch of previous professional players, which I thought was nice. League of Legends did a similar showmatch a couple of months ago, and although I wasn’t there to watch it live, I still enjoyed watching the VOD. With that being said, I did not watch the Heroes of the Storm one due to the lingering sourness I have with the way they ended the esports league.

They also had some classic game stations scattered throughout the exhibition halls. There was a demo for some new Warcraft III content, as well as a row of memorabilia from the old days of Blizzard.

Blizzard also announced that StarCraft is coming back… as a shooter game. I literally thought this was a prank because it said it was releasing in 2030, and it sounded ridiculous that, not only would they turn a real-time strategy game into a shooter, but then claim that it is releasing so far into the future.

I grew up playing StarCraft. StarCraft: Brood War was one of my favorite games as a kid, and I distinctly remember the excitement when StarCraft II came out right after I graduated high school. Sixteen years later, I still occasionally boot up and play a game or two of StarCraft II.

Needless to say, I am quite disappointed about the StarCraft news. I thought Blizzard had found a new, innovative, unique way to make RTS games appealing again and make them profitable enough to make it worth investing into and reviving the esports scene again. It never occurred to me that it would end up becoming… a shooter. Furthermore, I don’t know if this is just thinking too deeply into it and drawing conclusions that weren’t intended, but if they are implying the conversion of the StarCraft world into a shooter game, then I guess this could be seen as soft confirmation that StarCraft III as an RTS is probably never coming.

Ever since I stopped overseeing the Tempo Storm Meta Snapshot®, I stopped playing Hearthstone entirely. I think Hearthstone for me is one of the best examples of a fun hobby no longer being fun after turning it into a job. Because of the high-pressure nature of publishing the Meta Snapshot® to our gigantic expectant fan base (we had several million visitors per month at our peak), on top of the high staff turnover due to the difficulty of finding reliable Hearthstone expert contributors, it was definitely one of the more draining projects I did at Tempo Storm.

With that being said, right before I reached a point of complete exhaustion and burn-out, I was able to hand over the project to a different staff member at Tempo Storm. I think that was critical, because if I had gone any longer, I probably would’ve hated Hearthstone for the rest of my life. However, even though I still don’t play Hearthstone and would probably never play it again due to how unsustainable it feels to need to continuously dump money into new card sets, I think I left Hearthstone on a positive note. Walking through the Hearthstone exhibits at BlizzCon invoked a pleasant sense of nostalgia and brought back some good memories.

One of the most surprising things for me at BlizzCon was how big the Diablo section was. In retrospect, it makes sense, because there are a lot of different versions of Diablo, one of which is literally a mobile game that can grind revenue for Blizzard in the traditional high-profit mobile game microtransaction model. Also, out of all of Blizzard’s games, it feels like Diablo might be the world that is most likely to appeal to a general non-hardcore audience due to its relatively low barrier of entry and retention.

I wouldn’t call myself the biggest Diablo fanatic, but I enjoyed playing Diablo III and I’ve made decent progress through the Diablo IV storyline. Funny enough, the Diablo section of the convention was actually my favorite out of all the Blizzard universes. It felt the most immersive, and it seemed like the people who worked on the Diablo section paid extra special attention to refining all the small details.

Out of all the Blizzard games, World of Warcraft is the one that I play the most nowadays. I’m nowhere near as dedicated to it as I was at one point in my life, but in general, MMORPGs are my favorite genre of video game, so I usually end up going back to World of Warcraft as part of my video game rotation. I don’t like the constant grind though and don’t enjoy the feeling of gear getting outdated so quickly, so I usually end up just completing the main storyline quests, clearing through the raids once using instance finder, and then coming back for the next patch.

Going more in-depth about the gear getting outdated: I don’t have a lot of time to play video games anymore, so I can’t do the constant grind of dungeons and raids every week after the reset. It is annoying to me when I finally do enough raids and battlegrounds to be able to buy good gear, and then a few months later, all my progress becomes pointless and I have to repeat the process all over again. This is why I have enjoyed Guild Wars 2—its horizontal progression means that I can play as much or as little as I want, and it will never feel like the past time I put into the game becomes useless.

With this idea in mind, I am particularly looking forward to the release of World of Warcraft: Forever, announced at this BlizzCon. It seems like WoW: Forever is intended to be closer to a horizontal-progression game, as opposed to the heavy vertical progression that the regular World of Warcraft has. I do not intend on playtesting WoW: Forever during the beta period as a volunteer quality assurance tester, but I do plan on playing it in early November when it formally releases to the public.

Because I was at the main stage so early, I saw the full programming leading up to the LE SSERAFIM concert, including the closing ceremony. They gave away some free merchandise by using air cannons and throwing bundles of apparel into the crowd.

I feel like I already covered all my thoughts at the beginning of the blog post, but I guess I did leave out one obvious question, of whether I would go again in the future. At this point, I’m actually not sure. I know this sounds wishy-washy and hypocritical to what I literally just already said in this blog post, but funny enough, I might be more inclined to go again in the future if I receive an invitation and special access to restricted areas so that I can actually try things out without feeling like I have to stand in paralyzingly long lines.

… Or if LE SSERAFIM performs again next year. I’d pay full price and go back for that.

 

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Hello, “Paradise” at the Bellagio Conservatory on the Las Vegas Strip

Meteorological summer already ended just over a week ago, and astronomical summer is about to end in two weeks, but I still made it in time to take photographs of the summer installation at the Bellagio Conservatory & Botanical Gardens inside MGM Resorts’ Bellagio Resort & Casino.

This is an attraction on the Las Vegas Strip that I always recommend checking out because it’s free and low-commitment, so when my friends come to visit Las Vegas and we are in the general area of the central Strip, I always encourage them to stop by. Because of that, I’d seen this installation in-person a handful of times already, but I didn’t have my point-and-shoot camera with me during any of those previous trips. I didn’t want to miss my streak of sharing pictures of the seasonal installations on my blog though, so earlier today, I walked over to the Bellagio for one final look at all the animals.

The Conservatory is scheduled to enter its dark days starting from this coming Sunday, so you only have about half a week left to see this in person.

Hello, toe beans.

Here is a bonus floral arrangement set up in front of Harvest, a restaurant deeper into the resort near the pool area.

If you liked these photographs and want to see more from previous installations, I also have these past blog posts (in reverse chronological order): “Springtime Symphony: Music In Motion,” “Lunar New Year 2026: Year of the Horse,” “All Aboard for Holiday Bells and Whistles,” “Glam Menagerie: Surrealist Summer,” “The Birds and the B’s,” and “Lunar New Year 2025: Year of the Snake.”

 

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Hello, The YakitoriGuy Experience

A little over a week ago, I had an opportunity to join some of my friends for a private dinner with YakitoriGuy. I was invited to this because my friend who organized all this knows how much I’ve been enjoying tasting menus lately (and I’ve been to quite a few together with her), so she figured that I would enjoy this as well.

As you can probably tell from his name, YakitoriGuy specializes in yakitori. Yakitori, or 焼き鳥, translates to “grilled bird”; practically, it is small portions of chicken threaded onto skewers and grilled over charcoal. He sources Jidori chicken for his dinners, which he appropriately names “The YakitoriGuy Experience,” and he builds a “course list” (which, in his case, would be a “skewer list”) using as much of the chicken as possible, even including portions that people who aren’t particularly chicken enthusiasts would not even know existed.

For those who know me for my restaurant recaps and my (sometimes unconventional and unusual) reviews and analyses on different tasting menus and omakase experiences I go to, I want to clarify that this blog post does not count as one of those. Not only is this just not a regular restaurant where you can show up and order off a menu, but even if I tried or wanted to do a detailed breakdown, I don’t remember enough specifics about what part of the chicken each skewer was made from to be able to provide much value in my commentary beyond “it tasted good.”

Overall, the dinner was fantastic, both food-wise and experience-wise. I learned a good amount about yakitori, and YakitoriGuy was very interactive with all of us throughout the dinner, which is what you’d expect from a quality experiential dinner like this. I think the skewers with only chicken were decent, but I really enjoyed the skewers that had both chicken and vegetables. In my personal opinion and for my own culinary preferences, I think chicken on its own has a lower ceiling of deliciousness than other kinds of meat. However, if you’re building combination skewers with chicken and other complementary items, I think that’s where the food really shines. Thus, although I still liked the chicken with simple sauces and garnishes, the ones you’ll see grilled together with large cuts of vegetables were my favorites.

As a side note, YakitoriGuy does serve members of the public sometimes, but he does it in an exclusive and limited pop-up structure, and the dinner I was able to enjoy was a fully private group hand-picked and curated by my friend. If you’re interested in potentially attending one of his pop-ups, he mentioned that the best way to do that would be to check out his website (linked above), register for his newsletter, and follow him on social media for his latest updates.

With that all being said, consider this to be a casual photo diary of my dinner:

 

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Hello, D23: The Ultimate Disney Fan Event 2026 in Anaheim, California

Thanks to one of my friends, I randomly had an opportunity to attend The Walt Disney Company’s D23: The Ultimate Disney Fan Event at the Anaheim Convention Center in California. To be clear, I am not a “Disney adult,” and even as a kid, I didn’t really watch any Disney media and wasn’t familiar with Disney intellectual property. I have been to Downtown Disney a decent number of times because I like to go for a walk through it when I’m in the area, but I hadn’t been inside Disneyland Resort until only a handful of months ago. Even then, when my friend offered to bring me along with her, I agreed to go because I thought it would be a novel and interesting experience. (As a point of clarification, the friend who invited me is not affiliated with the Walt Disney Co.; this blog post is simply me sharing an interesting part of my life, and it is not a commercial endorsement in any way.)

I heard that getting a ticket to D23 is a difficult process, so I feel very fortunate that I was an invited guest. Prospective ticket purchasers apparently need a certain kind of premium membership with Disney’s fan club, and then from there, they need to line up in a virtual queue and hope for the chance to buy a pass before they all sell out. With that being said, I really respect and appreciate how Disney runs their ticketing system. Scalpers and ticket resellers have become a major problem with basically anything limited nowadays, so I think the fact that Disney filters out ticket buyers to only be genuine fans of their brands is a good move.

I’ve been to a lot of conventions before, but D23 still stood out to me. The first thing I noticed about it is how nice everything was. The build quality of everything was far more premium than what I’ve seen at other conventions, and I found it surprising that even just the regular aisles and walkways were covered with plush carpeting. In conventions where they have to sell exhibition space to third parties, it is obviously not possible to maintain this level of quality and consistency among all the booths—different exhibitors are going to have different budget availability, and some brands will have to cheap out on materials in order to be able to afford being there. However, the fact that Disney is handling the entirety of the convention floor by themselves made it so that they had an incentive to uphold their reputation and make everything nice.

Another first impression that I got was how there were little to no children at the convention. It was very easy to tell that this was designed to be a convention for adults, and the only children I saw were infants in strollers who I assume had to come along because their parents either couldn’t or didn’t want to find a babysitter. This made the environment far less chaotic, and I felt like I was at an actual civilized gathering instead of a circus. For comparison, this was the polar opposite of VidCon where a majority of attendees were children, an unfortunate many of which were quite obnoxious. On the other hand, D23 reminded me more of the most recent BlizzCon; most classic Blizzard game fans have grown up to be adults now, so the last time I attended BlizzCon, it felt like I was there enjoying my time with fellow adults reminiscing and being nostalgic about their childhood.

As I spent more time at the convention, I began realizing just how big the Disney brand is. I kept on seeing logos and characters that I either knew or recognized, but I previously had no idea that they were at all affiliated with or owned by Disney. It seemed like any other brands that were present that were not owned by Disney were there due to corporate partnerships or other business-based alliances in connection with Disney’s products.

My friends who I went with have recently developed an interest in collectible cards, so they were particularly excited for the opportunity to buy sets and merchandise from Lorcana, Disney’s trading card game. There was a wide open space for people to play Lorcana together with other convention-goers, as well as a store run by Ravensburger selling physical Lorcana products.

There was obviously limited stock of Lorcana card sets, and many people at the convention wanted to buy one, so D23 had a virtual queue system on their mobile app where you “line up” online rather than in-person, and then you show up when it’s your turn to shop. The ability to join the queue opened up at certain designated times, so you had to sync your clock to coordinated universal time down to the second, and then right as the release hit, you had to press a button to request to be added to the queue.

Everyone in my group pulled out their phones to prepare to join the queue. Even though I personally wasn’t interested in making a purchase, I figured I would still participate, because it’s better to have more reservations and then withdraw extras later, as opposed to not having enough. So, I also opened my D23 app, made sure the time on my Garmin watch was synced, and then counted down the seconds. The exact moment it hit 1 PM, I pressed the button to join the queue and got inside batch 50. They were currently servicing people in the early batch 40s, presumably still people who were being taken care of from the previous queue, so I realized that I ended up with a really good spot.

Then I checked in with my friends. I don’t know if I just had a more responsive phone because I uninstall all bloatware and barely use any apps, or if it’s because I keep 5G disabled on a routine basis so there is a chance that I had better ping with my 4G LTE service (because keep in mind that 5G is usually faster, but 4G is usually more stable), or if I’m just godlike at counting seconds. But, the next best person in our group got put into batch 99, and everyone else landed above batch 100 (with the highest being in the 140s) and got waitlisted.

Each reservation permitted the reservation holder and one guest to stand in the physical line and make a purchase, so I brought my friend along so she could buy two of everything she wanted—one from my reservation holder allocation and one from her guest allocation.

One thing I extra liked about the Lorcana activation was how there was a deckbuilding quest where you had to interact with other people to trade cards and build a set of four that you got assigned at the Ravensburger store, and once you completed your mission and brought it back to the turn-in spot, you would receive a bonus card. With the decline of social third places nowadays, I almost always support opportunities where strangers can come together in-person and build interest-based connections with each other through a medium that is not online.

Adjacent to that, my friends also had an interest in checking out the Magic: The Gathering booth to see if there were any exclusive items for sale. The MTG booth made queueing more fun by having a quiz that people could take on their phones while waiting in line. Those who took the quiz would be able to show their results to someone at the entrance of the booth and receive a free deck of cards. I took the quiz and got Black, though I don’t actually play MTG, so I’m not sure what that means. I gave my deck to my friend.

One of the most memorable commercial activations I’ve seen at a convention was this Heinz one. Heinz and Disney apparently entered into a multi-year strategic partnership, and in celebration, Heinz set up a place where you could try out their sauces.

One section was sort of like a Coca-Cola Freestyle machine where you could pick your base flavor and add-ons to build your own sauce. Conveniently, they had a concession stand nearby where you could buy hot dogs so you could try these sauces out on a hot dog. Another section showed their four new pre-packaged sauces: orange mojo, blackberry bourbon barbeque, maple sweet chili, and brauhaus mustard.

When it was my turn to try the Heinz Remix machine, I went with a honey mustard and mayonnaise base with an add-in of a double portion of roasted garlic. I think the machine ended up adding in too much mayo, and I wish there had been an option to go easy on the bases as well, but overall, I was satisfied with my creation.

On the opposite side of the Remix machine, there was a cart where an attendant gave out a four-pack of the new sauces. They were in small portions, the size and look of which reminded me of McDonald’s dipping sauces. This was a separate line that required an additional wait, but I somehow accidentally entered that area through the exit after being confused as to where I needed to path after I retrieved my cup of Remix sauce. I guess the attendant was just as confused as I was, because she noticed that I had randomly spawned in and just randomly handed me a sauce set. I gave it to another one of my friends (the one who you see in the photograph pondering about her Remix sauce) because she exited through the proper area and didn’t inadvertently cheat the system like I did, so she ended up not getting one.

One of the activities we did was… voluntarily watching advertisements. This sounds ridiculous, but it was actually quite enjoyable. The line was pretty long, and if you know me, you know that I’m the type of person who doesn’t like standing in lines or otherwise facing any kind of friction between myself and doing what I want to do. However, this line wasn’t too bad because I was chatting with the group of people with whom I had gone to the convention.

The premise behind this was that you would put on 3D glasses, go into a theater where there are immersive elements (like seat vibrations and mist to go along with what’s on-screen), and then watch short clips of various different Disney and Hulu shows so you could get a crash course on what’s available on their programming network. I was lucky enough to literally get the best seat in the house, i.e., in the front row and directly in the center of the screen. The immersive elements were fun, and it was overall pretty enjoyable.

They didn’t allow us to take photographs inside the theater, so instead, here is a picture of us in the waiting room while the hostess chatted with us and briefed us about what was to come.

While we were walking around the exhibition halls, a bunch of employees suddenly cleared the walkway and told everyone to retreat to the edges of the path. Then, out of nowhere, a marching band came through. It was quite jarring, but pretty funny.

Here is a picture of my friend feeling up a statue of Rotta the Hutt. She is probably thinking “why can’t my boyfriend also have a 12-pack…”

(Her face is censored because she doesn’t like having her face posted online.)

Apart from that, I spent the rest of the convention walking around, sightseeing, and taking pictures of things that I found interesting. I feel lucky that I got to go, and I think the fact that I, a non-Disney fan, attended and had such a positive experience is a great indicator on how well the convention is put together.

(As a side note, apparently D23 takes place in two venues: the Anaheim Convention Center, and the multi-purpose arena Honda Center. We only got to experience what was in the convention center and did not get a chance to see the shows at the Honda Center.)

In no particular order, here are a bunch more photographs from my visit:

 

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