Although I am best known for my var­i­ous dif­fer­ent roles and ap­pear­ances as a broad­cast per­son­al­i­ty, I am a busi­ness­man by trade. I work pri­ma­ri­ly with Tem­po, an e­sports team and me­di­a com­pa­ny turned game de­vel­op­ment stu­di­o; I help run the cor­po­rate side of le­gal, fi­nance, and HR ad­min­is­tra­tion. I also pro­vide busi­ness ad­vi­so­ry serv­ices to en­tre­pre­neurs and pub­lic fig­ures. You can find more de­tails on my CV.

I'm 34 years old and live in Las Vegas. In my free time, I like to write, cap­ture pho­to­graphs, train mixed mar­tial arts, play mu­sic, and pur­sue fi­nan­cial in­vest­ment op­por­tu­ni­ties. Gen­er­al­ly, I pre­fer to do ac­tiv­i­ties that ex­pose me to nov­el ex­pe­ri­ences or help me de­vel­op new prac­ti­cal skills.

Those who know me well often de­scribe my per­son­al­i­ty as “meticulously-controlled chaos.” The MBTI types me as INTJ. I'm split be­tween In­ves­ti­ga­tor (Type 5) and Chal­leng­er (Type 8) on the Enneagram. My CliftonStrengths Top 5 are De­lib­er­a­tive, Learner, An­a­lyt­i­cal, A­chiev­er, and Com­pe­ti­tion. I score high­est in Well-Being, Self-Control, and E­mo­tion­al Sta­bil­i­ty on the SPI-27. My top trait on both the Big Five and HEXACO-PI-R is Con­sci­en­tious­ness.

I don't use so­cial me­di­a much, but my pro­files are Parkzer on Twitch, Adam Parkzer on YouTube, @Parkzer on 𝕏, Adam Parkzer on LinkedIn, Parkzer on Last.fm, and Parkzer on Letterboxd. I don't have any se­cret “alt” or “friends only” ac­counts. Never send cash, gift cards, or cryp­to­cur­ren­cy to any­one claim­ing to be me—they are all im­per­son­a­tors and scam­mers.

Below, you can find my blog where I doc­u­ment my ad­ven­tures, or­gan­ize my thoughts, and share snip­pets of my life. You can browse in re­verse chron­o­log­i­cal or­der, or you can sort by these pop­u­lar cat­e­go­ries: Highlights | Food | Las Vegas | Tourism | Travel | Flights | Cruises | Face | Finance

 

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Hello, The Vault Menu at Gymkhana in the Aria Resort & Casino on the Las Vegas Strip

In late 2025, Gymkhana opened a location inside the Aria Resort and Casino on the Las Vegas Strip in the unincorporated town of Paradise, Nevada. I like keeping up with new restaurants and attractions in the Las Vegas Valley, so I browsed their website to see if it was something I would want to try out. Lately, I have been enjoying experiencing tasting menus because I like the idea of being able to try smaller portions of a lot of different things as determined by chefs who have decided for me what I eat. When I saw that Gymkhana had a tasting menu, I promptly put it on my list of restaurants to try.

Since then, several months have gone by. I had been keeping an eye on Gymkhana’s reservation availability, but very often, they were fully booked out around 45 days in advance. Because of my erratic travel schedule, I generally don’t put in reservations too far in advance, so I ultimately just decided on waiting until the hype settles down before I go to Gymkhana myself.

Throughout this waiting process, I noticed something intriguing. On Google Maps, Gymkhana’s listing settled at around the mid-3 stars in rating and did not really show any signs of climbing up into the 4s. This made me even more interested in dining there, because Gymkhana has an award-winning location in London, and I figured that at least some of that food and culinary skill would carry over to Las Vegas. I wanted to find out for myself whether the poor ratings were justified, or if people were just getting upset about certain things and then being extra harsh in their reviews.

Last night, I had some friends in town whom I decided to join for dinner. They had a few options for restaurants already in mind, and they ended up picking an Indian spot in Town Square. They mentioned that they had a prior obligation scheduled for the evening, so they would have to book the dinner late at night. Well, it happens to be that Gymkhana is also an Indian restaurant; it’s only about 4 miles further north; and lately, if you don’t want to book too far in advance, the only available time slots are around 8:30 PM and after. I checked seating availability for the same night, and 9 PM happened to be open. I proposed changing our dinner venue to Gymkhana instead due to its circumstantial similarities with their other choice; my friends happily agreed.

We dined as a party of three. Apparently, according to the reservation platform, that counts as a “large party,” which unlocks a special tasting menu called “The Vault.” When I go to tasting menus, I usually go either alone or with only one other person; thus, I realized that this may be a rare instance where I will be able to try Gymkhana’s “The Vault” menu that I otherwise would not be able to try in my routine dining system, so I locked that in during booking. This cost US$195.00 per person.

Before I start, I want to point out that the lighting in the restaurant was nice to set a certain mood, but horrific for photography. Gymkhana was probably one of the darkest restaurants I’ve ever been to. We were seated very deep in the restaurant where there were no windows, neither to the outdoors nor to the resort. There were some chandeliers hanging above some tables, but the table at which we were seated had little lighting. The only reason we could see was because there were small lamps on the table, but they were aggressively orange. When preparing my photographs for upload, I made a frail attempt at white balancing the color temperature before realizing how futile my efforts were and just posting them as-is.

The tasting menu started with two appetizers. The first was a pappadum selection. There were four different kinds of pappadums: lentil, chickpea, potato, and rice. This was served alongside three accompaniments: coriander and mint chutney, sweet lime pickle yogurt, and Goan prawn chutney.

I enjoyed the pappadums, and it felt like this was a more premium substitution for a bread basket that would be served by other restaurants. Because I’m not familiar with the ingredients (which will end up becoming a recurring theme throughout this entire meal), I couldn’t tell which accompaniment was which. Visually, my favorite was the reddish one that had a chunkier consistency, and then the creamier one that looked like spicy mayo (but definitely did not have the taste of spicy mayo). The runnier green sauce was good too, but I liked the other two more because the other two seemed like they had more depth to their flavor.

The second appetizer, which was served at the same time as the first, was a set of gol guppas. This came out as fried wheat puffs with a side of potatoes and moong lentil sprouts. Some of it was served as a pastier sauce consistency, while some of it was served in a miniature cup-pitcher hybrid with mint and cumin water underneath.

The waiter advised us to poke a little hole in the top-center surface of the wheat puffs, which were hollow inside. We would then scoop and pour in the potatoes, lentil sprouts, and mint and cumin water. I think I didn’t make the hole large enough because it was tricky to get everything inside the wheat puff, but once I got as much as I could in there, I ate it all in one bite and it was very flavorful.

According to the course list, the next dish was supposed to be aloo chaat with crispy fingerling potatoes, sweet yogurt, tamarind chutney, and gram flour vermicelli. However, this next plate is what we received instead. Because I don’t know much about Indian food, I’m not sure if this is just a modified version of aloo chaat, but visually, this is significantly different from what I see when I search up pictures of aloo chaat.

Regardless, this was delicious. We still had pappadums left from the first appetizer course, so I broke them up into smaller pieces and then used them to grab heaping scoops of this. If this is hypothetically also considered an accompaniment along with the other three that were provided with the pappadums, then this would’ve overwhelmingly been my favorite.

For my beverage, I ordered salted lemon nimbu pani, which the menu described as a take on Indian fresh lemonade with salted lemon and spiced salt. This was supplemental to the tasting menu and cost an extra US$15.00.

It’s not very obvious from the photograph, but there is a gigantic block of ice stretching vertically from the bottom to the top of the glass, and the slice of lime at the top of the drink is sitting atop the block of ice. The actual volume of beverage I got for this was very small, and it did not come with refills. It was good lemonade, and the spiced salt did add a unique facet to it that is otherwise not found in regular lemonade, but it was absolutely not worth it for the price.

The next dish was amritsari shrimp and scallops with red chili and carom seed batter, with a side of dill raita.

This was an overwhelming explosion of flavor. This had an underlying taste of being heavily fried, but because there was so much flavor to it, it didn’t have that oily, greasy taste or sensation that you get from eating regular deep-fried foods. The spices had a bit of a kick to them, so after finishing my portion of this, my nose started running a bit. Adding a generous portion of dill raita to each bite helped counteract and smooth out the spiciness.

The shrimp was great, and even though the batter and spices were very intense and piercing in flavor, I thought it went along well with the shrimp. However, using this preparation method for scallop felt a bit suboptimal. Maybe this is because I don’t eat much Indian food so I am highly sensitive to the pungency of the spices, but the flavor of the scallop seemed to just be completely drowned out by the other flavors. (For those who are not aware, scallops have a relatively milder flavor, so it’s usually served with minimal garnishes.)

Afterwards, we each received one tandoori masala lamb chop with red chili, ginger, fenugreek, garam masala, and walnut chutney. (Yes, there were originally three, but one person was very eager and expeditiously grabbed a lamb chop before I had an opportunity to snap a photograph.)

Just like the amritsari shrimp and scallops, these lamb chops were also an overwhelming explosion of flavor. This not only had a high intensity of flavor, but it also had a high variety of flavor in each bite.

I am generally not a particularly expressive person if I’m just doing regular day-to-day things and not fulfilling a role in entertainment or performing arts. I have been told that I am especially inexpressive around men, but even around my regular female friends, it has been a running joke about how it’s a funny puzzle to try and guess whether or not I like something I’ve just eaten, because I am usually in deep thought and analysis about the food in my mouth, and that often results in me having a serious face.

This lamb chop inadvertently induced an expression on my face. My reaction to this was so intense that apparently my body had to spew it out somewhere. I looked up and declared “there is so much happening in this lamb chop that I have no idea what’s going on.” I could tell that it was a great-quality lamb chop, but the seasonings and flavors covering the lamb chop were so over-the-top that it was hard to get a handle on it. It felt like my entire mouth was used as a stewing pot for the entire spice cabinet.

With that being said, it wasn’t bad. Usually, if you are ambushed with a ton of different flavors all at once, there is some degree of dissonance among the flavors. I imagine that if this kind of situation happened in any other context, I’d be taken aback and likely wince at the taste. However, this lamb chop wasn’t bad at all. It’s been a day since I had this, but thinking back on it, I am still confused about it right now. I still don’t know where to even start in terms of figuring out what it was seasoned with, let alone whether or not I genuinely enjoyed it. If I was committed to figuring that out, I reckon that I’d need to eat at least a few more of these on multiple more occasions so my taste buds can get more accustomed to it first.

After we finished the lamb chops, it was time for the main courses. One of them was Goan lobster curry with coconut milk, coriander, and red chili. This was served alongside black lentil dal maharani, saag makai, a bread basket, and some basmati rice.

The curry was good, but I’m not sure if I am particularly impressed by the lobster. The best way for me to describe this is that the curry was sort of off doing its own thing, and the lobster came along for the ride as an afterthought. Seafood is my favorite type of food and I very much like lobster (not because it’s expensive, but because I actually like the flavor of it), so I am far more alert to the nuances of the quality and preparation of lobster. The lobster in this curry acted not as the headliner of the dish, but as a supplemental addition to the curry itself.

The naan was incredible. There was a bunch of different kinds of naan, and all of it tasted amazing. I wasn’t able to have as much of it as I wanted because my friends also really liked the naan and ate a lot of it. The waiter offered to bring us more naan, but unfortunately, because of how late we got to the restaurant, the kitchen was already wrapped up by that point and had already discarded the charcoal they use to cook the naan, so we weren’t able to get a refill.

The second main course was supposed to be beef short rib pepper stir-fry with South Indian spices, coconut, and flaky Malabar paratha. However, the waiter let us know that there was an alternative for this dish that he would recommend instead: their venison biryani with braised venison, saffron pilaf rice, and pomegranate and mint raita.

When there is a pre-determined course list for a tasting menu, I usually like to stick to the menu, not only because I trust the chef who designed it with the flow and progression of flavor profiles in mind, but also because, when I share my experience on my blog, I want it to be replicable by other people (i.e., by going to the same restaurant and ordering the same tasting menu, if it is still in season). However, the waiter made it sound like it was a very appealing substitution, and my friends were on board with it, so I agreed to get the venison biryani instead of the beef short rib pepper fry.

The biryani came uncut, and its preparation was finished tableside. The server used a knife to cut off the top, then mixed the rice, venison, and spices together until it was ready to eat.

I think they made it wrong.

I know that sounds absolutely ridiculous coming from someone who knows nothing about Indian food, but the taste was noticeably off. Unfortunately, I know that I know nothing about Indian food, so rather than bring it up with the waiter, I instead second-guessed myself and just assumed that this was another one of those new, wild, crazy, intense flavors, just like I had already experienced many times earlier that dinner.

This entire dish tasted ashy. For lack of a better way to put it, this tasted like someone had crushed up a bunch of nearly-spent wood embers into powder, soaked it into water, strained the water so all the solids were left behind, and then used that water to cook the rice. To be clear, it didn’t directly taste burnt; it just tasted like ash. I prodded at the rice and mixed it around some more to see if I was able to find any excessively charred or discolored portions, but it looked pretty normal. There was no particular single component or element of the biryani that tasted ashy; the ashiness was such a core part of this dish’s identity that it was almost as if the intended flavor profile was to be ashy.

The reason why I suspect that this was prepared incorrectly is because, contrary to the intense flavors of the shrimp and lamb chop, the biryani actually induced an unpleasant sensation. More specifically, the flavor of the lamb chop was so intense that it was overwhelming, but there was something about it that made me not want to stop eating it. On the contrary, the ashiness of the biryani was also overwhelming, but it overwhelmed me to a point of not wanting to have more.

The tasting menu came with enough food that we had a lot of the main course left after we were all full, so we requested for the leftovers to be packaged into takeout boxes. I ended up keeping a majority of the leftovers, which was good, because I wanted to investigate this biryani further. The next afternoon (i.e., earlier today), I heated up the saffron pilaf rice and venison in the microwave to try some more and see if my taste buds would be more receptive to it. Unfortunately, the ashy taste persisted. The venison was palatable so I ended up finishing most of that as a good source of protein, but I threw out the rest of the rice.

For our first dessert, we were served rasgulla tiramisu made from soft cheese dumplings soaked in coffee and marsala, along with mascarpone cheese, pistachios, and rose petals.

This might be some of the best tiramisu I’ve ever had. It was noticeably different than other regular tiramisu I’ve had; it was greatly enhanced with extra earthy and floral flavors from the pistachios and rose petals.

Our other dessert was gold leaf gulab jamun, which were fried milk dumplings served with almonds and pistachios inside rose syrup and basundi milk.

The dumplings were pretty good, but the sauce was incredible. I made sure to re-dip the dumpling in the sauce continuously after each bite to get as much of it as possible. My friends just grabbed their dumplings without indulging much in the sauce, so I took advantage of the lack of utensil cross-contamination and finished all the remaining sauce myself as if it was soup.

Upon the conclusion of our meal, we were brought out some petit-fours: candied fennel chocolate truffles, and passionfruit and chili jelly. The waiter let us know that those particular nuts and seeds on the chocolate were selected because they are known to help with digestion.

Because we had a very late reservation slot, most of the dining room was already empty by the time we were done. Thus, I managed to get a few shots of the interior before we wrapped up and headed out.

This is the bar area between the front and rear dining sections.

This is the front dining section, closest to the entrance. Because they were closing and cleaning, they turned the chandeliers on at maximum brightness, so I was able to actually see what the dining area was like.

This is another bar that was right across from the front dining area. Again, this is well-illuminated due to the chandeliers being boosted to seemingly maximum brightness for utility purposes during closing, but usually, this area is extremely dim.

Overall, I am tentatively satisfied with my experience at Gymkhana. Obviously, the ashy venison biryani is an issue, especially considering that it was talked up as a great substitution for the main course in The Vault menu, and even on their regular à la carte menu, it is prominently highlighted as one of their flagship entrées. However, I am still not confident enough in my understanding of Indian cuisine to make a certain statement about it.

The service was excellent. Our waiter was very attentive, he responded to all our questions in a thorough and knowledgeable way, and he demonstrated great care for our enjoyment and satisfaction. Beyond our waiter, we also encountered a few other staff members throughout our dinner, all of whom carried out their roles in a polished and efficient way, while still relaying warmth and kindness.

As I mentioned before, I opted for The Vault menu because it was an opportunity to experience a tasting menu that I might not otherwise be able to in the future. After assessing this experience, I do want to return to get the regular tasting menu for US$165.00 per person, though I may wait a season or two to see if they rotate some of the dishes, as I noticed that there is some overlap with the appetizers between the regular tasting menu and The Vault tasting menu.

As for whether or not I recommend this restaurant to other people… I’ll let you know next time, after I learn more about Indian cuisine.

 

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Hello, BlizzCon 2026

This past weekend, I flew over to Anaheim, California to attend Blizzard Entertainment’s BlizzCon at the Anaheim Convention Center.

As you can probably tell by the name, BlizzCon is a convention dedicated to Blizzard and their various games. It was held almost annually between 2005 and 2019, only excluding 2006 and 2012. Then, the COVID-19 pandemic hit and marked the start of the BlizzCon cadence being thrown off quite a bit. The pandemic “postponed” the 2020 convention to the subsequent year, and then forced the 2021 one to be online-only. To make things worse, the 2022 convention was canceled entirely; although they did not cite it directly, people reasonably assume that it was due to their ongoing major lawsuit at the time, California Department of Fair Employment and Housing v. Activision Blizzard, Inc., No. 21STCV26571 (California Superior Court, Los Angeles County; July 20, 2021). BlizzCon came back for 2023, which I attended. They took 2024 and 2025 off, then returned this past weekend for the 16th BlizzCon.

Between 2015 and 2019 when my company Tempo still had its Tempo Storm esports division and we were still competing in the esports leagues of a number of Blizzard titles, I was regularly invited to BlizzCon as either esports support staff or as a member of the press. In fact, even though it originated during my time in League of Legends, it was actually Blizzard esports that popularized calling me Adam “Adam Parkzer” Parkzer, and then subsequently, Adam “Don’t call me ‘Adam "Adam Parkzer" Parkzer’” Parkzer. (If you don’t get it, it is a joke on the FirstName “Gamertag” LastName naming convention; due to me just using my full name everywhere, they filled in my full name as my “gamertag,” and then when I told people to stop doing that… well, you can see how that went.)

Being invited to things is nice, but can also be burdensome. If you’re at a convention for work, i.e., to make sure your professional players are taken care of, or to cover the announcements and make content about it, then those duties are always at the front of your mind. Even if you have no obligations at the convention, receiving a complimentary admission ticket by invitation has an implication that you have a “special” relationship with the company (at least, special enough that you get a free ticket) and that you have a soft expectation to portray the convention positively.

For example, if I had gotten a free ticket, I may have second-guessed myself when reminding everyone earlier that BlizzCon 2022 was canceled most likely due to the state government suing Blizzard for alleged sexual misconduct and discrimination against women. And if you know me, you know that I don’t like to pass up opportunities to inform people about bad things that have happened in the recent past so we can learn about them and avoid them happening again in the future.

For BlizzCon 2026, I did not reach out to any Blizzard contacts and I did not apply for media credential consideration; I purchased my normie ticket at full price out-of-pocket so I could enjoy the convention strictly as a tourist, and then say whatever I want about it on my blog afterwards.

 
With that somewhat rambly and borderline tangential introduction out of the way, here are some general impressions I had about BlizzCon.

First, it felt like the convention was wildly oversold. The reason I was looking forward to BlizzCon 2026 was because BlizzCon 2023 was actually quite peaceful and relaxed, and I expected it to be the same this year. BlizzCon in particular is appealing to me because a lot of Blizzard game fans are old adults now, so the general attendee-base is a lot more mature than what you’d see in other gaming conventions. The level of maturity seemed to have carried over to this year too, but the number of people there was frankly insane.

The worst way that this manifested was the lines. If BlizzCon 2026 had a nickname, it would be Wait In Line Simulator. Doing literally anything involved standing in a line that ranged in length from “very long” to “famishing.” I believe the line to get into Darkmoon Faire was over 5,000 people long when I checked (and that is a genuine underestimate, not an exaggeration). That particular line spanned up the escalators in Hall A and across the entire walkway to the far end of the North Hall, zig-zagging and snaking back and forth, folding in on itself multiple times over.

Another place this was visible was the main stage. There was a substantial amount of seating, but there were so many attendees that people were still packed almost shoulder-to-shoulder off to the side in the standing areas. I showed up to the opening ceremony a little bit late and could barely see what was going on because I was on the literal other end of the hall, right by the exit doors, as far away as you can possibly be from the stage.

As a side note, there was a bit of a problem with the seating. The chairs were quite medium. Now, medium chairs are usually fine, but the problem with stage seating was that the medium chairs were hooked together side to side so that the seats were touching to form a makeshift bench. The attendees at BlizzCon were just normal people who you’d expect to see at a convention in the United States, i.e., a good number of them either just had large statures, or were overweight. On the first day of the convention, I was in and out of the main stage viewing area because I was squeezing in looking at the exhibits between panels. Whenever I showed up and scanned the audience for seats, I’m fairly certain that at least 15% of them were always vacant because they were occupied by people’s shoulders or love handles.

Adjacent to the congestion, I thought BlizzCon was a little bit boring for me this year. Maybe it’s because I’m just so used to having a packed, back-to-back schedule of obligations and commitments in the past, but it felt like there was both nothing to do and too much to do at the same time.

One thing I appreciated about having special media access in the past is that there are dedicated computer stations for members of the press to try out the demos without needing to wait in long lines. I was not particularly enthused to stand in lines of hundreds of people to try the demos on the show floor, so I ended up not playing anything (otherwise, it felt like all I would be doing for the entire convention is standing in line).

I really enjoyed seeing all the exhibits, but after I spent a few hours slowly walking through everything, there wasn’t much else that was particularly engaging to me… except for one thing.

 
My favorite part of BlizzCon was seeing LE SSERAFIM perform live.

If you know me and know how uninterested I have always been about K-pop, then you might think that is an absolutely wild statement to come out of my mouth. But, I actually legitimately enjoy a good amount of their music. I also think the group was built well, and each member is quite likeable.

Their BlizzCon concert was better than I expected, and that’s even with my relatively high expectations from already knowing that they are great performers. They did 13 songs in 45 minutes, which is a very packed lineup. They maintained their high energy throughout, even with there being minimal talking time and a lot of back-to-back dancing and singing, which I obviously found quite impressive. I thought the setlist was built very well; it felt like the breadth of songs was selected to appeal to both casual fans who recognize viral hits, in addition to diehard fans looking for rare live renditions of less popular songs. Also of note were their outfits—compared to what they’ve worn in the past, it seemed like these were custom-catered to be particularly appealing to a Western audience.

If you thought me listening to LE SSERAFIM was wild, I’m about to say something even wilder: I showed up about four hours early for their show. To be clear, I didn’t just idly sit there staring at the ceiling and twiddling my thumbs. There was still stuff happening on the main stage during most of that period—I got to enjoy hearing about the upcoming release of Diablo V and watching the voice actors across the various Blizzard worlds sharing stories. However, I knew that the main stage would get packed for LE SSERAFIM’s performance, so I claimed a seat early to make sure I wasn’t stranded all the way in the back. I technically was early enough that I could’ve gotten a seat in the front-most section, but I figured I’d save those for their FEARNOTs (which is what they call their fanbase) who showed up with branded light sticks. (And I also wanted to avoid being constantly on screen for their live concert video.)

I didn’t record any of the performance because I knew that there was professional filming being done (and I’m just not the type to be holding up a camera the entire time at a concert anyway), but I did take some still shots—a few during their introductions, and a few when they walked forward onto the B-stage and were closer to the audience.

And before you K-pop fanatics ask: no, I do not have a bias. I respect and admire all five of them equally, each for their own individual reasons.

…

If you put a gun to my head and threatened to shoot me if I didn’t pick one, then my bias is Chaewon. And my bias wrecker is Eunchae.

Remember how I mentioned that I showed up a bit late to the opening ceremony and could barely even find space in the standing area? Well, this was my view.

Do you see where it seems like there are people standing on the stage? Well, look carefully. Those are actually the static camerapeople who are set up halfway down the seated area. The actual stage is double that distance away.

This is what the Overwatch area looked like. I don’t play Overwatch (or pretty much any first-person perspective games) because it gives me motion sickness, so I didn’t really know any of the characters or understand any of the references, but apparently the reason LE SSERAFIM was even at BlizzCon at all was because they did a collaboration with Overwatch.

In the far outskirts of the hall, there were sections set up for some of Blizzard’s more “neglected” games, like Heroes of the Storm. Tempo Storm used to have a professional Heroes of the Storm team, so I used to play it a lot, but then they added loot boxes and abruptly terminated the league, so I haven’t even opened the game at all for several years now.

They set up a nostalgic Heroes of the Storm showmatch and invited back a bunch of previous professional players, which I thought was nice. League of Legends did a similar showmatch a couple of months ago, and although I wasn’t there to watch it live, I still enjoyed watching the VOD. With that being said, I did not watch the Heroes of the Storm one due to the lingering sourness I have with the way they ended the esports league.

They also had some classic game stations scattered throughout the exhibition halls. There was a demo for some new Warcraft III content, as well as a row of memorabilia from the old days of Blizzard.

Blizzard also announced that StarCraft is coming back… as a shooter game. I literally thought this was a prank because it said it was releasing in 2030, and it sounded ridiculous that, not only would they turn a real-time strategy game into a shooter, but then claim that it is releasing so far into the future.

I grew up playing StarCraft. StarCraft: Brood War was one of my favorite games as a kid, and I distinctly remember the excitement when StarCraft II came out right after I graduated high school. Sixteen years later, I still occasionally boot up and play a game or two of StarCraft II.

Needless to say, I am quite disappointed about the StarCraft news. I thought Blizzard had found a new, innovative, unique way to make RTS games appealing again and make them profitable enough to make it worth investing into and reviving the esports scene again. It never occurred to me that it would end up becoming… a shooter. Furthermore, I don’t know if this is just thinking too deeply into it and drawing conclusions that weren’t intended, but if they are implying the conversion of the StarCraft world into a shooter game, then I guess this could be seen as soft confirmation that StarCraft III as an RTS is probably never coming.

Ever since I stopped overseeing the Tempo Storm Meta Snapshot®, I stopped playing Hearthstone entirely. I think Hearthstone for me is one of the best examples of a fun hobby no longer being fun after turning it into a job. Because of the high-pressure nature of publishing the Meta Snapshot® to our gigantic expectant fan base (we had several million visitors per month at our peak), on top of the high staff turnover due to the difficulty of finding reliable Hearthstone expert contributors, it was definitely one of the more draining projects I did at Tempo Storm.

With that being said, right before I reached a point of complete exhaustion and burn-out, I was able to hand over the project to a different staff member at Tempo Storm. I think that was critical, because if I had gone any longer, I probably would’ve hated Hearthstone for the rest of my life. However, even though I still don’t play Hearthstone and would probably never play it again due to how unsustainable it feels to need to continuously dump money into new card sets, I think I left Hearthstone on a positive note. Walking through the Hearthstone exhibits at BlizzCon invoked a pleasant sense of nostalgia and brought back some good memories.

One of the most surprising things for me at BlizzCon was how big the Diablo section was. In retrospect, it makes sense, because there are a lot of different versions of Diablo, one of which is literally a mobile game that can grind revenue for Blizzard in the traditional high-profit mobile game microtransaction model. Also, out of all of Blizzard’s games, it feels like Diablo might be the world that is most likely to appeal to a general non-hardcore audience due to its relatively low barrier of entry and retention.

I wouldn’t call myself the biggest Diablo fanatic, but I enjoyed playing Diablo III and I’ve made decent progress through the Diablo IV storyline. Funny enough, the Diablo section of the convention was actually my favorite out of all the Blizzard universes. It felt the most immersive, and it seemed like the people who worked on the Diablo section paid extra special attention to refining all the small details.

Out of all the Blizzard games, World of Warcraft is the one that I play the most nowadays. I’m nowhere near as dedicated to it as I was at one point in my life, but in general, MMORPGs are my favorite genre of video game, so I usually end up going back to World of Warcraft as part of my video game rotation. I don’t like the constant grind though and don’t enjoy the feeling of gear getting outdated so quickly, so I usually end up just completing the main storyline quests, clearing through the raids once using instance finder, and then coming back for the next patch.

Going more in-depth about the gear getting outdated: I don’t have a lot of time to play video games anymore, so I can’t do the constant grind of dungeons and raids every week after the reset. It is annoying to me when I finally do enough raids and battlegrounds to be able to buy good gear, and then a few months later, all my progress becomes pointless and I have to repeat the process all over again. This is why I have enjoyed Guild Wars 2—its horizontal progression means that I can play as much or as little as I want, and it will never feel like the past time I put into the game becomes useless.

With this idea in mind, I am particularly looking forward to the release of World of Warcraft: Forever, announced at this BlizzCon. It seems like WoW: Forever is intended to be closer to a horizontal-progression game, as opposed to the heavy vertical progression that the regular World of Warcraft has. I do not intend on playtesting WoW: Forever during the beta period as a volunteer quality assurance tester, but I do plan on playing it in early November when it formally releases to the public.

Because I was at the main stage so early, I saw the full programming leading up to the LE SSERAFIM concert, including the closing ceremony. They gave away some free merchandise by using air cannons and throwing bundles of apparel into the crowd.

I feel like I already covered all my thoughts at the beginning of the blog post, but I guess I did leave out one obvious question, of whether I would go again in the future. At this point, I’m actually not sure. I know this sounds wishy-washy and hypocritical to what I literally just already said in this blog post, but funny enough, I might be more inclined to go again in the future if I receive an invitation and special access to restricted areas so that I can actually try things out without feeling like I have to stand in paralyzingly long lines.

… Or if LE SSERAFIM performs again next year. I’d pay full price and go back for that.

 

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Hello, “Paradise” at the Bellagio Conservatory on the Las Vegas Strip

Meteorological summer already ended just over a week ago, and astronomical summer is about to end in two weeks, but I still made it in time to take photographs of the summer installation at the Bellagio Conservatory & Botanical Gardens inside MGM Resorts’ Bellagio Resort & Casino.

This is an attraction on the Las Vegas Strip that I always recommend checking out because it’s free and low-commitment, so when my friends come to visit Las Vegas and we are in the general area of the central Strip, I always encourage them to stop by. Because of that, I’d seen this installation in-person a handful of times already, but I didn’t have my point-and-shoot camera with me during any of those previous trips. I didn’t want to miss my streak of sharing pictures of the seasonal installations on my blog though, so earlier today, I walked over to the Bellagio for one final look at all the animals.

The Conservatory is scheduled to enter its dark days starting from this coming Sunday, so you only have about half a week left to see this in person.

Hello, toe beans.

Here is a bonus floral arrangement set up in front of Harvest, a restaurant deeper into the resort near the pool area.

If you liked these photographs and want to see more from previous installations, I also have these past blog posts (in reverse chronological order): “Springtime Symphony: Music In Motion,” “Lunar New Year 2026: Year of the Horse,” “All Aboard for Holiday Bells and Whistles,” “Glam Menagerie: Surrealist Summer,” “The Birds and the B’s,” and “Lunar New Year 2025: Year of the Snake.”

 

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Hello, The YakitoriGuy Experience

A little over a week ago, I had an opportunity to join some of my friends for a private dinner with YakitoriGuy. I was invited to this because my friend who organized all this knows how much I’ve been enjoying tasting menus lately (and I’ve been to quite a few together with her), so she figured that I would enjoy this as well.

As you can probably tell from his name, YakitoriGuy specializes in yakitori. Yakitori, or 焼き鳥, translates to “grilled bird”; practically, it is small portions of chicken threaded onto skewers and grilled over charcoal. He sources Jidori chicken for his dinners, which he appropriately names “The YakitoriGuy Experience,” and he builds a “course list” (which, in his case, would be a “skewer list”) using as much of the chicken as possible, even including portions that people who aren’t particularly chicken enthusiasts would not even know existed.

For those who know me for my restaurant recaps and my (sometimes unconventional and unusual) reviews and analyses on different tasting menus and omakase experiences I go to, I want to clarify that this blog post does not count as one of those. Not only is this just not a regular restaurant where you can show up and order off a menu, but even if I tried or wanted to do a detailed breakdown, I don’t remember enough specifics about what part of the chicken each skewer was made from to be able to provide much value in my commentary beyond “it tasted good.”

Overall, the dinner was fantastic, both food-wise and experience-wise. I learned a good amount about yakitori, and YakitoriGuy was very interactive with all of us throughout the dinner, which is what you’d expect from a quality experiential dinner like this. I think the skewers with only chicken were decent, but I really enjoyed the skewers that had both chicken and vegetables. In my personal opinion and for my own culinary preferences, I think chicken on its own has a lower ceiling of deliciousness than other kinds of meat. However, if you’re building combination skewers with chicken and other complementary items, I think that’s where the food really shines. Thus, although I still liked the chicken with simple sauces and garnishes, the ones you’ll see grilled together with large cuts of vegetables were my favorites.

As a side note, YakitoriGuy does serve members of the public sometimes, but he does it in an exclusive and limited pop-up structure, and the dinner I was able to enjoy was a fully private group hand-picked and curated by my friend. If you’re interested in potentially attending one of his pop-ups, he mentioned that the best way to do that would be to check out his website (linked above), register for his newsletter, and follow him on social media for his latest updates.

With that all being said, consider this to be a casual photo diary of my dinner:

 

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Hello, D23: The Ultimate Disney Fan Event 2026 in Anaheim, California

Thanks to one of my friends, I randomly had an opportunity to attend The Walt Disney Company’s D23: The Ultimate Disney Fan Event at the Anaheim Convention Center in California. To be clear, I am not a “Disney adult,” and even as a kid, I didn’t really watch any Disney media and wasn’t familiar with Disney intellectual property. I have been to Downtown Disney a decent number of times because I like to go for a walk through it when I’m in the area, but I hadn’t been inside Disneyland Resort until only a handful of months ago. Even then, when my friend offered to bring me along with her, I agreed to go because I thought it would be a novel and interesting experience. (As a point of clarification, the friend who invited me is not affiliated with the Walt Disney Co.; this blog post is simply me sharing an interesting part of my life, and it is not a commercial endorsement in any way.)

I heard that getting a ticket to D23 is a difficult process, so I feel very fortunate that I was an invited guest. Prospective ticket purchasers apparently need a certain kind of premium membership with Disney’s fan club, and then from there, they need to line up in a virtual queue and hope for the chance to buy a pass before they all sell out. With that being said, I really respect and appreciate how Disney runs their ticketing system. Scalpers and ticket resellers have become a major problem with basically anything limited nowadays, so I think the fact that Disney filters out ticket buyers to only be genuine fans of their brands is a good move.

I’ve been to a lot of conventions before, but D23 still stood out to me. The first thing I noticed about it is how nice everything was. The build quality of everything was far more premium than what I’ve seen at other conventions, and I found it surprising that even just the regular aisles and walkways were covered with plush carpeting. In conventions where they have to sell exhibition space to third parties, it is obviously not possible to maintain this level of quality and consistency among all the booths—different exhibitors are going to have different budget availability, and some brands will have to cheap out on materials in order to be able to afford being there. However, the fact that Disney is handling the entirety of the convention floor by themselves made it so that they had an incentive to uphold their reputation and make everything nice.

Another first impression that I got was how there were little to no children at the convention. It was very easy to tell that this was designed to be a convention for adults, and the only children I saw were infants in strollers who I assume had to come along because their parents either couldn’t or didn’t want to find a babysitter. This made the environment far less chaotic, and I felt like I was at an actual civilized gathering instead of a circus. For comparison, this was the polar opposite of VidCon where a majority of attendees were children, an unfortunate many of which were quite obnoxious. On the other hand, D23 reminded me more of the most recent BlizzCon; most classic Blizzard game fans have grown up to be adults now, so the last time I attended BlizzCon, it felt like I was there enjoying my time with fellow adults reminiscing and being nostalgic about their childhood.

As I spent more time at the convention, I began realizing just how big the Disney brand is. I kept on seeing logos and characters that I either knew or recognized, but I previously had no idea that they were at all affiliated with or owned by Disney. It seemed like any other brands that were present that were not owned by Disney were there due to corporate partnerships or other business-based alliances in connection with Disney’s products.

My friends who I went with have recently developed an interest in collectible cards, so they were particularly excited for the opportunity to buy sets and merchandise from Lorcana, Disney’s trading card game. There was a wide open space for people to play Lorcana together with other convention-goers, as well as a store run by Ravensburger selling physical Lorcana products.

There was obviously limited stock of Lorcana card sets, and many people at the convention wanted to buy one, so D23 had a virtual queue system on their mobile app where you “line up” online rather than in-person, and then you show up when it’s your turn to shop. The ability to join the queue opened up at certain designated times, so you had to sync your clock to coordinated universal time down to the second, and then right as the release hit, you had to press a button to request to be added to the queue.

Everyone in my group pulled out their phones to prepare to join the queue. Even though I personally wasn’t interested in making a purchase, I figured I would still participate, because it’s better to have more reservations and then withdraw extras later, as opposed to not having enough. So, I also opened my D23 app, made sure the time on my Garmin watch was synced, and then counted down the seconds. The exact moment it hit 1 PM, I pressed the button to join the queue and got inside batch 50. They were currently servicing people in the early batch 40s, presumably still people who were being taken care of from the previous queue, so I realized that I ended up with a really good spot.

Then I checked in with my friends. I don’t know if I just had a more responsive phone because I uninstall all bloatware and barely use any apps, or if it’s because I keep 5G disabled on a routine basis so there is a chance that I had better ping with my 4G LTE service (because keep in mind that 5G is usually faster, but 4G is usually more stable), or if I’m just godlike at counting seconds. But, the next best person in our group got put into batch 99, and everyone else landed above batch 100 (with the highest being in the 140s) and got waitlisted.

Each reservation permitted the reservation holder and one guest to stand in the physical line and make a purchase, so I brought my friend along so she could buy two of everything she wanted—one from my reservation holder allocation and one from her guest allocation.

One thing I extra liked about the Lorcana activation was how there was a deckbuilding quest where you had to interact with other people to trade cards and build a set of four that you got assigned at the Ravensburger store, and once you completed your mission and brought it back to the turn-in spot, you would receive a bonus card. With the decline of social third places nowadays, I almost always support opportunities where strangers can come together in-person and build interest-based connections with each other through a medium that is not online.

Adjacent to that, my friends also had an interest in checking out the Magic: The Gathering booth to see if there were any exclusive items for sale. The MTG booth made queueing more fun by having a quiz that people could take on their phones while waiting in line. Those who took the quiz would be able to show their results to someone at the entrance of the booth and receive a free deck of cards. I took the quiz and got Black, though I don’t actually play MTG, so I’m not sure what that means. I gave my deck to my friend.

One of the most memorable commercial activations I’ve seen at a convention was this Heinz one. Heinz and Disney apparently entered into a multi-year strategic partnership, and in celebration, Heinz set up a place where you could try out their sauces.

One section was sort of like a Coca-Cola Freestyle machine where you could pick your base flavor and add-ons to build your own sauce. Conveniently, they had a concession stand nearby where you could buy hot dogs so you could try these sauces out on a hot dog. Another section showed their four new pre-packaged sauces: orange mojo, blackberry bourbon barbeque, maple sweet chili, and brauhaus mustard.

When it was my turn to try the Heinz Remix machine, I went with a honey mustard and mayonnaise base with an add-in of a double portion of roasted garlic. I think the machine ended up adding in too much mayo, and I wish there had been an option to go easy on the bases as well, but overall, I was satisfied with my creation.

On the opposite side of the Remix machine, there was a cart where an attendant gave out a four-pack of the new sauces. They were in small portions, the size and look of which reminded me of McDonald’s dipping sauces. This was a separate line that required an additional wait, but I somehow accidentally entered that area through the exit after being confused as to where I needed to path after I retrieved my cup of Remix sauce. I guess the attendant was just as confused as I was, because she noticed that I had randomly spawned in and just randomly handed me a sauce set. I gave it to another one of my friends (the one who you see in the photograph pondering about her Remix sauce) because she exited through the proper area and didn’t inadvertently cheat the system like I did, so she ended up not getting one.

One of the activities we did was… voluntarily watching advertisements. This sounds ridiculous, but it was actually quite enjoyable. The line was pretty long, and if you know me, you know that I’m the type of person who doesn’t like standing in lines or otherwise facing any kind of friction between myself and doing what I want to do. However, this line wasn’t too bad because I was chatting with the group of people with whom I had gone to the convention.

The premise behind this was that you would put on 3D glasses, go into a theater where there are immersive elements (like seat vibrations and mist to go along with what’s on-screen), and then watch short clips of various different Disney and Hulu shows so you could get a crash course on what’s available on their programming network. I was lucky enough to literally get the best seat in the house, i.e., in the front row and directly in the center of the screen. The immersive elements were fun, and it was overall pretty enjoyable.

They didn’t allow us to take photographs inside the theater, so instead, here is a picture of us in the waiting room while the hostess chatted with us and briefed us about what was to come.

While we were walking around the exhibition halls, a bunch of employees suddenly cleared the walkway and told everyone to retreat to the edges of the path. Then, out of nowhere, a marching band came through. It was quite jarring, but pretty funny.

Here is a picture of my friend feeling up a statue of Rotta the Hutt. She is probably thinking “why can’t my boyfriend also have a 12-pack…”

(Her face is censored because she doesn’t like having her face posted online.)

Apart from that, I spent the rest of the convention walking around, sightseeing, and taking pictures of things that I found interesting. I feel lucky that I got to go, and I think the fact that I, a non-Disney fan, attended and had such a positive experience is a great indicator on how well the convention is put together.

(As a side note, apparently D23 takes place in two venues: the Anaheim Convention Center, and the multi-purpose arena Honda Center. We only got to experience what was in the convention center and did not get a chance to see the shows at the Honda Center.)

In no particular order, here are a bunch more photographs from my visit:

 

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Hello, COTE Korean Steakhouse at The Venetian Resort on the Las Vegas Strip

Following a recommendation from a friend, I decided to join in for dinner not too long ago at COTE Korean Steakhouse at The Venetian Resort Las Vegas in Paradise, Nevada. I haven’t been going to too many barbecue restaurants lately that revolve around red meats with high saturated fat content because I’m still being conscious about my high cholesterol and heart health. However, I saw that COTE wasn’t a typical all-you-can-eat Korean BBQ restaurant, and instead offered some tasting menus, so I figured that if I’m going to go to a KBBQ restaurant, COTE would be a good candidate. Upon arriving at the restaurant, I saw from the logo that COTE is styled with 꽃 placed in the hole of the O, which is Korean for “flower.”

Out of the tasting menus, they had one called “Welcome to the Fabulous Butcher’s Feast,” also written in Korean on the menu as “모둠 고기한상,” for US$88.88 per person. The English name is obviously a play on the “Welcome to Fabulous Las Vegas” catchphrase, while the Korean name roughly translates to “assorted meat feast.” The other tasting menu was simply called “Steak Omakase™: The Grand Tour” for US$225.00 per person. The Steak Omakase is what my friend and I ended up getting.

Of course, when someone puts a trademark symbol beside a name, I always get curious enough to do some snooping, partially to see if they actually did trademark it, and partially to see if there is an interesting story behind it. I guess this is also one of the quirks of reading restaurant reviews on my website, because I imagine that not too many other food bloggers have enough of a background and an intrinsic interest in legal matters to go off on a trademark and intellectual property tangent in the middle of their review.

So anyway, during my search, I found that the first attempt to trademark Steak Omakase was made by Cote IP LLC, a Delaware limited liability company, back in January 2019. Unfortunately, it seems like they ran into some issues; they successfully responded to an office action in April 2019, but failed to overcome the subsequent office action in October 2019.

Rather than responding to the office action in October 2019, they instead abandoned the initial application and filed a new one under Gracious Hospitality Management LLC, a New York limited liability company with a foreign registration in Nevada, in November 2019. That application also received an office action in February 2020, and then again in August 2020, which caused the company to once again abandon the application.

Third time’s a charm, though, because in March 2024, Gracious Hospitality Management LLC made yet again another attempt to trademark Steak Omakase. They received an office action in September 2024, responded to it successfully in early December 2024, and finally received their registration certificate in late December 2024.

Thus, that confirms that this review is officially for COTE’s Steak Omakase®.

 
The omakase started with an ice-chilled oyster topped with some sea urchin. This was a very generous portion of sea urchin, but I felt like the explosion of flavor wasn’t quite as intense as what I expected for this size of sea urchin. Regardless, overall, it was still very delicious, and considering that sea urchin is my favorite food and I really like oysters, this was a very satisfying appetizer for the meal.

The friend with whom I went to this restaurant is the friend who doesn’t eat seafood, whom I’ve talked about previously on my blog. As a substitution for the oyster and sea urchin, the waiter instead brought out 바삭한 통 삼겹살구이, translated to English on the menu as “Korean ‘bacon,'” composed of house-smoked crispy heritage pork belly and pickled jalapeño.

We were also served a cup of broth. This was intensely and borderline overwhelmingly salty, but the broth had so much rich, deep, umami flavor in it that the salt did a great job enhancing and amplifying the deliciousness of the broth.

Next was some steak tartare with local grass-fed top-round beef, pear, and crispy tendon puffs. This was topped with a small portion of caviar, though I don’t remember exactly what kind of caviar it was.

This was amazing. I liked this combination, and this came with the “flavor explosion” that I expect from high-quality steak tartare and caviar. To make the beef flavor even stronger, this tartare came with crispy tendon puffs instead of bread. I’m impressed that they managed to shape the tendon puffs so neatly. This was perfectly complementary with the steak, and I wish more restaurants would serve tartare like this (though I imagine the reason they don’t is because this is far more resource-intensive than just serving bread).

When our waiter was told that my friend dislikes seafood but I love seafood, he took a caring step to ensure that the caviar went to me, and wasn’t just omitted from my friend’s tartare and “wasted.” My friend’s portion of caviar was separated into a small bowl on the side, so I was able to blissfully enjoy even more caviar to make sure we were getting our full money’s worth.

For my beverage, I ordered an Aplós Ume Spritz for US$15.00. I saw it on the non-alcoholic beverage menu and had never heard of it before, and it said that it came with an infusion of lion’s mane, which I thought sounded interesting, so I picked it. I was expecting some kind of fancy specialty drink from their bar. Unfortunately, when it came out, I realized that it was just a canned drink that I paid $15 for.

When I looked it up on their website after the fact, I found out that you can order this directly from Aplós for US$6.00 per can, or as low as ~$3.44 a can if you buy in bulk packs of 48 cans and enroll in their no-commitment subscription. It was actually pretty tasty and had a very interesting flavor profile, but it starts tasting less fantastic when you find out that, if you include the fact that you tip the waiter to carry this can to your table for you, the restaurant is taking over a 400% profit margin on the drink. (Yes, I understand that profit margins on fountain drinks are even higher, but at least for that, there is an up-front capital cost of the machinery, as well as ongoing maintenance and repairs.)

Not long after we finished both our appetizers, the waiter brought out the meat. There were six different kinds, and one piece of each for each person. The waiter explained that they were generally grouped into pairs—two wet-aged, two dry-aged, and two high-grade wagyu.

In traditional Korean fashion, we were also given a broad selection of side dishes. However, these were not the generic, stereotypical Korean side dishes. Instead, we were brought out a very unique selection of sides, some of which I have never seen at a Korean restaurant before. For example, the green sticks that you see next to the cauliflower are okra.

Another notable thing about the preparation of these side dishes is that a lot of them were pickled. I’m usually not a fan of pickled vegetables because I don’t like the taste of vinegar, I find pickled foods to be too sour for my preference, and I’d rather just eat vegetables raw. However, these pickled vegetables had all the positive flavors of the pickling process without there being any sourness. I ended up eating a substantial amount of these sides.

Unlike all-you-can-eat Korean barbecue restaurants where you cook the meat yourself, COTE’s waiters cook your meat for you at your table. This is a huge plus considering that these waiters most likely have far more skill and training at grilling meat than I do, so it’s a great way to maximize the flavor of each cut of meat while minimizing the possibility of it being overcooked or cooked with an unbalanced doneness level.

Here is a series of photographs of our waiter salting, preparing, grilling, and serving the first few cuts of meat.

While the meat was being cooked and served to us, we continued to get more side dishes throughout the meal. I liked that they did this because I enjoy breaking up the continuity of meat with additional flavors. I think eating beef non-stop, especially cuts that have high levels of fat and marbling, can get cloying; mixing in other flavor profiles makes it so your taste buds can “reset” a bit, which allows you to fully appreciate each bite of meat without their flavors just merging together.

Here is some 계란찜, which is Korean-style steamed egg.

Here are some more photographs of our waiter salting, grilling, and serving more cuts of meat. He threw in a mushroom with some of them, which I thought did a great job at adding an earthy element to the rich fattiness and making the overall flavor profile more complex and desirable.

As we were approaching some of our final pieces of meat, they brought out two noodle dishes.

The first one was 상큼한 비빔국수, described on the menu as cold and refreshing Korean angel hair noodles with apples, iceberg lettuce, and gochujang vinaigrette. I ate this cold noodle dish a lot as a kid, so eating this again was quite nostalgic. However, as you can imagine, COTE prepared these noodles far better than anything that my mom made me as a kid, so that added an additional layer of euphoria.

The second bowl of noodles was 뜨끈한 잔치국수, described on the menu as Korean angel hair noodles with piping hot clear anchovy consommé.

I thought this was so funny that I had to take a photograph of it. If you’re familiar with Korean cuisine, you may recognize this as roasted chili flakes. These are extremely spicy. I immediately knew what these were because I have had instances in the past where I put way too much of this in my food, had a mild emergency in my mouth, and started sweating enough that I could’ve been added to Google Maps as a fire hydrant.

I smartly only added a very small pinch of this to the warm noodle dish, which brought it up to my perfect preferred heat level. I found it absolutely hilarious that they served this much of it for such a tiny bowl of noodles. Surely, at least once in the history of the restaurant, someone thought “they must’ve given me this much because this is how much I’m supposed to use,” dumped this entire thing into their bowl of noodles, and then proceeded to think that they had to go to the hospital.

Here are some photographs of our final pieces of meat. These were the high-grade cuts of wagyu. The waiter was so far doing a fantastic job making sure that the flame wasn’t flaring up, but because of how rich and fatty these cuts were, it was inevitable that the fire started dancing under the grate.

After we were finished with our wooden platter of meat, the waiter brought out a bonus plate of pre-marinated meat. He called this the “dessert meat.” This cut of beef isn’t actually eaten as a dessert, but it made sense why he would call it that, because the marinade usually has a nice sweetness to it. This is different than the more straightforward cuts of meat that we just finished eating that rely primarily on the flavor of the aging, the high fat content, and the accompanying salt to carry their naturally amazing flavors.

For our actual dessert, we were served some ice cream with a soy sauce glaze. The soy sauce glaze tasted very similar to caramel, but it had a deeper and more complex flavor to it. I actually liked this a lot, and if this was served à la carte at an ice cream shop near me for a reasonable price, this is something that I would deem worth getting for dessert on a relatively routine basis.

To close out our meal, we received a bowl of fruit. The pink pineapple was absolutely incredible and might have been some of the best fruit I’ve ever had in my entire life.

This is a photograph of the bar area in the center of the restaurant.

In alignment with the flower theme pursuant to the 꽃 in the middle of the COTE wordmark, the ceiling had a floral design on it.

This is the wordmark on the glass at the front of the restaurant.

This is the hostess’ podium at the entrance of the restaurant.

These are some animated LED signs just outside the restaurant that showed various different items served at COTE.

The omakase and non-alcoholic beverage came to a subtotal of US$240. After sales tax and gratuity, the total for my portion of the meal came to US$300.

I had a fantastic dining experience at COTE, and I highly recommend it as one of the top-tier and higher-priority options for someone looking for a meal at that price point. The meat was very high quality, their special twist on Korean cuisine noticeably elevated the food, the service was attentive and skillful, and the environment was classy and pleasant.

 

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