Hello, Anaheim White House

While I was in Anaheim a week and a half ago for VidCon 2024, I joined some friends at the Anaheim White House Italian steakhouse for dinner. The restaurant was decently close to the Convention Center near where we were staying, and it was marketed as a nice and high-end restaurant, so we fig­ured it would be a good spot to check out while we were in town.

We were wrong.

We were seated outdoors on a microscopically small table cluttered with four people’s worth of eating utensils plus a rose vase and an aggressively or­ange light in the center. The table was barely large enough to accommodate two people, let alone four. The strange light made all my photos im­pos­si­ble to color balance.

Our napkins were laid out on the table in the shape of a suit jacket with a black paper bowtie on top. Our waiter came around and said “let me tuck you in,” swiftly grabbed the napkin, sent the paper bowtie flying airborne across the table, then plopped the napkin down nearly as-is on my lap without even unfolding it.

While we were browsing the menu, we received some complimentary bread. Rather than giving us a bread basket, they instead gave each of us one single roll with enough butter for an entire loaf of bread. The roll honestly wasn’t that bad, but it was tiny, and considering that they didn’t actually give us the basket, I couldn’t help myself to seconds.

After a fairly long wait after ordering, our first appetizer came out—oven-roasted pork belly with maple balsamic and orange sauce. We were con­ven­ient­ly served three pieces for a table of four, so we split each piece into three-quarters, with the lucky fourth person having three one-quarter pieces.

The fatty part of the pork belly tasted as you’d expect from pork belly, but the meat was pretty dry. Overall, it was pretty underwhelming. At US$15.50, it was nowhere near worth the price.

Our second appetizer was White House salad with iceberg lettuce, mixed greens, carrots, and cherry tomatoes tossed in the house signature passion fruit and ginger vinaigrette.

I didn’t have more than a few bites of this, but it was clear that this was nothing more special than a regular salad. Unfortunately, it was US$12.50. You’re literally better off just going to the grocery store, picking a premium pre-made bagged salad, and buying a small bottle of dressing—at that price point, you’d probably get three pounds of better-tasting salad.

After another long wait, our entrées came out. One of my friends got a 22-ounce Angus Midwestern T-bone steak rubbed with Hawaiian sea salt and re­fined demi-glace. Comically, their menu called it “demi glaze.”

The portion size of this was too big for him, so I finished his leftovers. It wasn’t bad, but it was pretty unremarkable. His dish was US$59.50.

The best part about his dish, though, was the side he added on—Belgium white chocolate mashed potatoes for US$14.00. That tasted exactly how you’d ex­pect—it was like taking a bite of mashed potato, taking a sip of melted white chocolate, and gargling it together in your mouth. The fla­vors did not com­ple­ment each oth­er at all what­so­ev­er. It was absolutely horrid.

Dinner companion #2 got Midwest beef braised in Cabernet Sauvignon reduction, served with horseradish cream over yellow polenta, for US$41.00. I did not try any of this dish.

And finally, dinner companion #3 got a 10-ounce hanger steak in a chimichurri marinade of parsley, garlic, cilantro, cumin, and red chili flakes for US$44.50. I tried one piece of this, and the restaurant somehow successfully managed to overcook and undercook it at the same time.

For my meal, I ordered two small plates. When I told the waiter I was planning on doing that instead of ordering a regular full entrée, he glanced over at me through the corner of his eye as if I had just landed from Mars.

My first plate was braised frog legs a la Provencal with tomato, roasted garlic, extra virgin olive oil, and white wine over pasta, for US$18.95.

This was way overseasoned so the flavor of the frog legs was basically completely absent. It was also overwhelmingly salty, yet somehow bland at the same time—the salt had no actual base flavors to enhance, so it ended up sort of just being bitter. The pasta was slippery and watery, so it could not re­tain any of the sauce.

My second small plate was Louis Laulhère Bourgogne escargot with garlic, Pernod liqueur, and herbs for US$16.50.

This had the same problem as the frog legs—the garnish was way too strong, the entire dish was way too salty, and it felt like I was pickling the inside of my mouth while I was eating.

We shared two desserts as a table. The first was a banana tart made with layers of baked puffed pastry, Chantilly whipped cream, chocolate ganache, and caramelized bananas, served with crème anglaise and vanilla ice cream, for US$14.95.

For some reason, the waiter decided that this was the moment that they would take away that repulsive orange lamp. Take it away during our meal when we had so little real estate left on our table that plates were literally on the verge of falling off? Of course not. Take it away after we have one single des­sert plate in the center of the table? Yes, no better time.

Anyway, this was the one and only dish of our entire meal that I thought was decent. With that being said, as you can see, ours apparently suffered a mild earth­quake on the way to our table, as it was tipping over and about to slide off the plate. This lack of proper presentation seemed to be exclusive to our tart, though—I saw a different party order one too, and theirs completed the journey to their table remaining upright.

Our second dessert was a flourless Grand Mariner soufflé with chocolate ganache, crème anglaise, and Chantilly cream for US$17.95.

This literally tasted like sweetened scrambled eggs.

The interior of the restaurant had fairly over-the-top regal decor, which I guess was nice. Too bad we didn’t get to enjoy it during our meal, because we were seated outdoors on artificial turf instead.

One random quirk about this restaurant was that there were advertisements everywhere trying to convince you to donate to some cause. It was marketed so aggressively that my brain literally mentally filtered it out as spam, so I don’t even remember what it was for. There were donation collection stations near the entrance of the restaurant where you could swipe your card and it would automatically charge you your preferred denomination. I’ve never seen anything like it at a restaurant before.

After finishing our meal, we went outside and my friend gave his valet ticket to the attendant. The restaurant has a decently-sized parking lot to the west of the building, but they chose to block that off and make it valet-only for US$7.00. To earn the valet fee, the attendant made the treacherous trek of ten steps to my friend’s car and drove it the gruesome few seconds it needed to be moved so we could get in without having to make the epic voyage our­selves.

They didn’t even charge his car for him while we were eating. You know, just to make sure that his Tesla charger at home wouldn’t get upset that the car was cheating on it.

My friend tried to pay the parking fee with a credit card, but apparently they accept cash only at the valet stand. The attendant had to take my friend’s card and spend a few minutes going into the restaurant to run a charge on the card using the terminal, then brought out a full-blown check pad with a pen, along with a merchant and customer copy of a receipt for him to sign.

Oh, and they parked his car in a handicap spot. Just so the valet can make sure they’re not overworking themselves by having to walk too far, I guess.

Do not go to Anaheim White House.

 

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Hello VidCon 2024

The second half of last week, I attended VidCon Anaheim.

This may come as a surprise because I’m fairly open and outspoken about how much I hate the stereotypical influencer or content creator kind of per­son, so it would seem strange to intentionally thrust myself into a convention full of them, but there were three fairly compelling reasons to go.

The first was because I’ve been getting pretty bored over the past year with a non-nomadic lifestyle, especially compared to road tripping and living out of hotel rooms full-time for two years during 2021-2023. I missed being in a new place every few weeks, so I decided to pick back up traveling and seize op­por­tu­ni­ties if such travel corresponds with an event.

The second reason, and the more important one, was that my friend Aidan, who runs the Skip the Tutorial channel on YouTube, was supposed to be hold­ing his very first meet-and-greet and panel at VidCon. It ended up not actually being his first panel because he received an impromptu short-notice invitation to Open Sauce to host a Minecraft panel there shortly before VidCon, but at the time that I booked my travel, Aidan’s firsts were anticipated to take place at VidCon.

And finally, the third and least influential reason was because I already knew I wouldn’t like VidCon, but I didn’t want to have a negative impression of it without ever trying it out, so this was a chance for me to see VidCon for myself to either confirm or deny my suspicions.

Unshockingly, I was indeed able to confirm that I do not like VidCon.

 
Let’s start with a mild point first. VidCon was boring.

I felt like there wasn’t really much to do. TwitchCon has a similar problem where, if you’re not there to meet your favorite Twitch streamers, the only other thing left to do is to be a victim of all the exhibition booths that are, to be frank, just massive advertisements hoping to expose you to their brand and leave an impression in your memory so you remember them the next time you have to buy a keyboard or extend your car’s warranty.

VidCon obviously had an exhibitor’s hall, but it seemed incredibly empty and underwhelming. Conventions like PAX pack the halls so the aisles are only the width of about two people laying down head-to-toe, but VidCon’s aisles between booths were gaping chasms. It almost seemed like they couldn’t find enough exhibitors who wanted to buy space in the hall, so they stretched out the aisles to be gigantic so it looked like they were still filling the hall.

The booths that were there weren’t very engaging. There was a really nice Minecraft booth, but there wasn’t actually anything to do in there except for look at the decorations and take pictures. There were some branded rooms on the second floor of the convention center, but those were also just wide-open and empty rooms that were only used for networking purposes and not for actual interactive experiences.

 
Now onto one that is a bit more serious. I have never felt more objectified in my entire life than during the collective handful of hours I spent at VidCon.

For a bit of context, I have been a public figure for over a decade now and am no stranger to being recognized, both at conventions as well as randomly through­out my day-to-day life. I used to be a vlogger and live streamer, I’ve hosted many events and casted many tournaments, and I’m often a guest on a bunch of my friends’ shows. This means I have people recognizing me for dif­fer­ent reasons and I end up meeting quite a variety of dif­fer­ent people, which is nice.

Lately, I have been making very frequent appearances on my friend Doug Wreden’s Twitch live streams and YouTube videos. He is by far my most pop­u­lar friend with the biggest fanbase whose content I regularly appear on, so naturally, an increasing ratio of people recognizing me have been from dis­cov­er­ing me through Doug, relative to other mediums.

The problem with this is that Doug’s content is very different than what I usually do. I’ve historically done very “normal” appearances often revolving around commentary or discussing professional topics with a focus on self-improvement and the practical application of life­style adjustments to achieve personal goals. Doug’s content, on the other hand, throws me in as a target to fairly crude and primitive humor.

In a vacuum, I don’t mind; in fact, one of the more fun facets of being an actor or public figure is being able to participate in a broad scope of scenarios like that. However, it becomes extremely annoying when those artificial or manufactured situations are not contained in those contexts and instead end up bleed­ing out into my real life.

For example, one of the comedic segments on Doug’s live streams and videos ended up being calling me things that I’m not, such as a barred attorney or sworn peace officer. Within the context of his content, it’s supposed to be a show, so that is fine; however, without the proper context, this ultimately just ends up being the same as spreading blatant misinformation. Another segment revolves around obsessing over the fact that I own a firearm, which is fine as part of his content, but the obsession is very unusual out-of-context, especially considering I live in the United States and it is a very normal thing to own firearms here.

Back to VidCon. I guess it is reasonable that people would recognize me through Doug’s videos there, considering that it is basically an unofficial You­Tube convention and Doug’s YouTube channel has over two and a half million subscribers as of today… but never before have I had such a crushing ratio of people recognizing me from Doug’s content. Out of the few dozen people who recognized and interacted with me, all but two were because of Doug.

People who know me for other reasons usually have something interesting to talk about, but apparently Doug’s fans don’t have much to discuss, so they just parrot Doug’s jokes at me. I feel like I only had three good conversations with fans. Everyone else just awkwardly yelled things at me, primarily re­volving around calling me things that I’m not. Never before have I felt like less of a human and more like I had just been reduced to nothing beyond a tool for their entertainment. This happened so relentlessly that, at this point, I never want to hear the words “lawyer,” “cop,” or “gun” ever again.

Was this unique to VidCon? I don’t know. It’s very possible that this just happens to be the tipping point of this being the norm for me moving forward. But what I can say for sure is that VidCon was the very first place where it was so shockingly and blatantly obvious to me that it was happening.

 
Time for a quick intermission. Here are some random photographs I took around the exhibition hall:

(Note: I am aware that some faces are blurred while others are not. Technically, as part of the terms and conditions of a purchase of a VidCon admission pass, attendees agreed to be filmed and photographed while on convention grounds, so I can leave my pictures as-is. With that being said, I still dis­cre­tion­arily chose to censor some faces of minors who had enough of their likeness captured to be recognizable. Please stop attempting to contact me a­bout “forgetting about some faces.”)

As one of my final activities of VidCon, I watched Aidan’s panel.

I thought Aidan did a great job. Every time he spoke, he said something impactful and meaningful. The way he worded the information he wanted to relay was precise and succinct. The tone and cadence of his voice made him sound expressive and engaging, and he enunciated all his words clearly. He was also quick-witted and added on-topic humor to the panel where appropriate.

Unfortunately, I was pretty disappointed about every other aspect of the panel. The other panelists rambled on about random things that sounded unre­lat­ed to the panel’s primary topic and were literally just spamming comms. I had never heard of any of them before, but apparently they were all suc­cess­ful YouTubers, so they clearly know what they’re doing, but it felt like they were at a point where they hadn’t yet quite reached a level of mastery of their craft to be able to articulate and teach how they did what they did.

There was an extremely strange and off-putting interaction during the post-panel Q&A segment where, not longer than 15 minutes after one of the pan­el­ists discussed the negative mental impact of hate comments, one of the audience members went up to the microphone and casually unironically in­sulted the hairstyle of one of the panelists. Aidan took over and skillfully diffused the situation by making light of the comment and diverting attention a­way from the in­sult and back to the Q&A, but if it wasn’t for him, that would’ve been a very awkward moment.

So, my final verdict? I did not like VidCon. I do not plan on ever attending again, and I do not recommend it for anyone else unless you are or have child­ren who admire YouTubers.

But before I wrap up, I do want to share one positive thing.

My second-to-last fan interaction of VidCon was with a girl in a cosplay (whose name I did not catch) walking alone on the second floor near the panel stages. She recognized me and was in utter shock that, not only was I was a real human being, but I was standing in front of her.

She was speechless, but just from her body language, I could tell she was either drained of energy or otherwise having a rough time, and seeing me was a moment of bliss in her day. She didn’t say much apart from asking for a picture and telling me that I had made her day. It was very fulfilling to me and I felt very honored that I could seemingly bring so much joy to someone and brighten their mood just by existing.

 

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The San Francisco Bay Area round-up

I’m off on my next adventure after my week in the San Francisco Bay Area for Open Sauce, but I had some spare photos that didn’t fit in any of my pre­vi­ous topic-based blog posts, so I decided to do a final travel round-up.

But first, a story. I call this one… “How not to travel out of Burbank Airport.”

As is probably blatantly obvious by now, I travel a lot. Not only do I travel a lot in the conventional sense, but in case you’re new here and missed it, I used to travel literally full-time during 2021-2023 when I road tripped across the United States and Canada and lived out of hotel rooms for two years straight. Throughout my travels, I have become an expert and acquired some specialized knowledge.

Upon arriving at Hollywood Burbank Airport for my Alaska Airlines flight to San Francisco, I entered through Terminal B to get through security, as my plane was scheduled to board from the B gates. I noticed that the TSA line was unusually long, so I decided to walk to Terminal A to go through an al­ter­na­tive security checkpoint. I thought I had made a great choice, because upon my arrival, I noticed that the line in Terminal A was nearly non-existent. I entered through the TSA PreCheck® line and finished screening within two minutes.

After popping out the other end, I looked for the connector between Terminal A and Terminal B so I could get to my gate. I looked around and there was only one way forward, so I mindlessly started walking from Gate A1 deeper into the airport. I eventually made it to Gate A9, upon which I had a fateful encounter with a brick wall. Confused, I checked my GPS location on Google Maps and realized I had walked in the literal opposite direction, a­way from Terminal B. I turned around and walked all the way back to Gate A1.

But, remember how I said there was only one way forward after the security screening checkpoint? Once I made it back to Gate A1, I had that exact same problem. I needed to walk west. The only path forward was east, unless I wanted to leave the building and go outside. Confused, I explained my situation to a nearby officer, who let me know that there isn’t actually a gateside connector between Terminals A and B and that I would have to exit outdoors and go back through security in Terminal B.

By trying to outplay the system, I outplayed myself.

I went outside, walked back into Terminal B, and stood in line to go through Terminal B’s security checkpoint. I made my way to my gate with four mi­nutes to spare before boarding doors closed.

Here are some photos of Los Angeles on the way out.

Burbank to San Francisco is a short flight so there was no meal service, but I did get some snacks. I felt the need to take a picture of this bag of chips be­cause it only had about five chips inside it. (Insert disgruntled statement about shrinkflation here.)

Landing at San Francisco International Airport is always an interesting experience due to its location—SFO has runways extending into the San Fran­cisco Bay. This creates an amusing visual where it looks like your plane is about to dive directly into the water, up until asphalt magically spawns un­der you and you touch down safely.

If you followed my adventures during my road trip, you probably know that I’m a Marriott loyalist and achieved Ambassador Elite status from my time liv­ing out of hotels full-time. Unfortunately, I had to cheat on Marriott and stayed at a Hilton during Open Sauce because I had a room inside the des­ig­nat­ed special guest hotel.

I don’t have any special status with Hilton, so I didn’t have lounge access for free food (if there was even a lounge at all). This meant that, on the day I flew in, I had to go searching for my own food. I didn’t have a rental vehicle so I decided to order on a delivery app. Conveniently, the restaurant did not in­clude utensils with my tonkatsu donburi, so I had to pull off my hotel specialty: using two coffee stirrers as chopsticks.

I extended my stay in the San Francisco Bay Area after Open Sauce finished because I have a friend who lives in the area, and I figured it would be a good opportunity to spend time with her while I was already there. On the day after Open Sauce before I transferred from the special guest hotel to my own hotel, some friends and I stopped by ToToRo Ramen for lunch.

After ridesharing from San Mateo to downtown San Francisco, I checked into The Jay, an Autograph Collection hotel under Marriott. After the me­di­o­cre room and service from Hilton, stepping once again into a Marriott felt like coming back home.

On my way out, I decided to fly JSX from Oakland International Airport back to Hollywood Burbank Airport. I’ve generally had positive experiences with JSX from back when they were still known by their full name JetSuiteX, and because I was leaving from downtown San Francisco which was almost equidistant between SFO and OAK, I decided to go with OAK and fly JSX again (they only service OAK and not SFO).

That was a mistake. JSX’s quality of service has severely degraded to the point where I’d rather save the money and fly premium economy on a mass com­mer­cial airline from now on.

They used to have nice, luxurious lounges with food and drinks, but it seems like they got rid of all the food and only have a Starbucks dispensing ma­chine. The only trace of food available was cat and dog treats next to the sink. I had not eaten at all this day, so I was literally banking on having food at this lounge, and I could not. Note that JSX flies out of a separate hangar, so it’s not like I could walk to an airport restaurant and get food either.

The interior of the jet I got seemed to have not really been taken care of that well. The jets also used to be a 1-2 all-business-class configuration, but for some reason, this jet was a 1-1 configuration… except instead of using the extra space from the missing row of seats as just extra space, they installed gi­gan­tic blocky armrests that make the entire cabin look cramped and unnavigable.

My rideshare vehicle from my hotel to JSX’s Oakland hangar was a Tesla Model Y that had an extremely jerky ride so I was already very motion sick, and I ended up flying on an empty stomach; this combined was a great recipe to get severe air sicknesses. I was on the verge of throwing up the entire time, and the fact that there is more turbulence on JSX flights due to the small size of the jet didn’t help.

Fortunately, I made it back to my friend’s house without vomiting, but I got really close.

And finally, to close this blog post, here is an out-of-context photograph of my friend’s blanket after I wrapped it in plastic food wrap.

 

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Hello, Yakiniku Shodai in San Francisco, California

For my final night in San Francisco, my friend and I had dinner at Yakiniku Shodai, a high-end Japanese restaurant in the Civic Center area southeast of the Fillmore District.

Known for its wagyu, Yakiniku Shodai has two different tasting menu options—a basic one for US$150 per person and a full experience for US$225 per per­son. We opted to go for the full set because, not only was I hungry, but I also figured I might as well go all-in while I’m in town and have the op­por­tu­ni­ty to do so, as I don’t really ever visit the San Francisco Bay Area unless it is for a very compelling reason.

My friend works remotely on East Coast hours and wanted an early dinner, so we booked the first available reservation slot at 5:30 PM PDT and were the first ones in the restaurant.

After being seated, the chef explained how the tasting menu process works. We then received a set of sides—pickled cucumbers, seasoned bean sprouts, and kimchi. We also got a small dish of lemon juice, used to offset some of the fattiness of the wagyu to come.

We also received a small bowl of beef broth with mushroom and green onion.

We were seated at the end of the side of the eating area, as close to a “command” position as possible, which allowed us to clearly spectate what the chefs and cooks were doing (as well as observe the other guests, once they arrived).

Our first meat was thin-sliced Australian wagyu beef tongue, served with seasoned onions and green onions.

The chef cooked only one side of the beef tongue and took it off the grill when it still appeared blue rare, but the heat momentum continued cooking it to a perfect rare by the time it was ready to eat.

Beef tongue is my favorite cut of beef, and this exceeded my expectations. It was the most tender and delicious beef tongue I’ve ever tasted.

Next was thin-cut American wagyu short rib with fresh wasabi and seasoned kelp strips, and thick-cut American wagyu zabuton topped with plum paste.

I had never tasted anything like this plum paste before, and it was incredible. There was definitely plum in it, but it wasn’t just plum—there was an in­de­scrib­a­ble additional flavor in there that made it uniquely sweet, and I cannot for the life of me pinpoint what it could’ve possibly been.

Eating back-to-back cuts of wagyu can feel very filling due to the extremely high fat content, so we were regularly served palate cleansers. For this in­ter­mis­sion, we were given some zucchini and mushrooms seasoned with salt and pepper.

Our next portion of meat was thick-cut Australian wagyu harami skirt steak with barbecue sauce.

Note that this was a very light Japanese-style barbecue sauce, not the type of thick American BBQ sauce you’d find in the United States.

Our next palate cleanser was the house special salad. I really appreciated the frequency with which they mixed in vegetable dishes, as it really helped bal­ance out the overall flavor storyline.

The chef took us on a brief detour with some seasonal seafood—scallop. This was the thickest, juiciest, most tender, and most flavor-rich piece of scallop I’ve ever tasted in my life.

It was time to go back to the meat. Next up was thin-sliced Japanese A5 wagyu oyster blade, served with barbecue sauce and wasabi.

Our second portion of Japanese A5 wagyu was thick-cut tenderloin, seasoned with garlic sauce.

Although my friend and I opted for the full set, some of the other diners who had arrived after us were opting for the smaller menu. While enjoying my meal, I was able to watch the chefs prepare their dishes, which served both as extra entertainment as well as a good learning opportunity.

Next up was what ended up being my second favorite item of the dinner—Japanese A5 olive wagyu ichibo served thin-sliced nigiri style with caviar and truffle.

I’ve always known truffle to have a very strong flavor, but the truffle used on this wagyu nigiri was very mild.

The flavor bal­ance of this nigiri was incredible—the intensity of the wagyu, caviar, and truffle was perfectly equal, and no single flavor was o­ver­whelm­ing, so it truly felt like you could taste the richness of every single individual flavor depending on what you were mentally focusing on.

We were slowly approaching the end of our meal. Our second-to-last main dish was salmon and ikura with a small sprinkling of edible flower.

The grand finale dish was yakishabu don, made with thinly-sliced Japanese A5 wagyu striploin over rice, topped with raw egg yolk and truffle.

This combination manifested as a beautifully shimmering golden sauce over the wagyu rice bowl.

Our dessert was a refreshing frozen yogurt. It was only subtly sweet, which allowed the yogurt flavor to really shine.

Shodai Set ×2$ 450.00
Mandatory gratuity (20%)$  90.00
SF HCSO surcharge (4.8%)$  21.60
Sales tax$  48.44
Total$ 610.04
The table on the right shows how much we paid.

You might have noticed that I didn’t really give many thoughts on the various cuts of wagyu. The rea­son for that is… my thoughts are basically the same for all of them. Pretty much every single piece of meat I ate during this meal ranked as a top best cut of meat I have ever tasted in my life.

I don’t eat anywhere near enough Japanese A5 BMS 12 or Australian MSA 1100+ grade 9 wagyu in or­der to compare it on an appropriate scale, and if you compare any meat of that quality to anything else, that ultra-high-end wagyu is just going to be indisputably better by a chasmic margin.

I cannot put in words how much I was impressed by our chef Chris Yuen. He managed to cook every single piece of meat to absolute perfection, and he appeared to do it effortlessly. I would be overjoyed at myself if I had even 5% of his cooking ability.

I’m not too happy about the 20% mandatory gratuity. I would have preferred for them to just set the price at $270 per person instead of $225 and make themselves a no-tipping establishment—that would’ve felt much better than making it look like there was a nearly hundred dollar hid­den fee. Gratuity is meant to allow diners to show gratitude, and it just doesn’t feel the same when it’s forced. This would also probably be particularly unsettling for in­ter­na­tion­al guests who may come from cultures where the concept of tipping does not exist.

Regardless, this restaurant has easily landed itself in my top three favorite restaurants of all time, alongside Utzutzu and Masamitsu. A meal coming in at $270 per person before taxes and fees is obviously unrealistic for most people, but if you’re ever in the San Francisco area and this pricepoint is man­age­a­ble for you (remember that there is a lower-cost option as well), I highly recommend Yakiniku Shodai.

 

—§—

 

Hello Open Sauce 2024

FTC Disclosure: Open Sauce, Inc. did not ask me to write this blog post, did not pay me cash for this review, and did not have an opportunity to review or request changes to this piece prior to its publication. However, I did receive material financial incentive to attend Open Sauce 2024 by way of free VIP admission and free lodging. The public retail value of such incentives amounts to a VIP ticket worth US$1,499.00 and a hotel stay worth approximately US$600.00. All other expenses beyond the aforementioned items were self-funded.

 
I’m not really the biggest fan of the San Francisco Bay Area in California (which should be unsurprising to you if you’ve read my blog post about how I got ~US$3,000.00 of stuff burglarized from me the last time I was here), but my friend Billie-Rae invited me to attend Open Sauce, a science and tech­nol­o­gy convention taking place at the Cow Palace in Daly City. Billie-Rae is a full-time employee at the company that runs the convention, so I de­cid­ed that was enough of a reason to support her work and check it out last week between June 14-16.

I’ve been to a lot of events and conventions of all different kinds over the past decade. I’ve attended as various roles, including an organizer, staff mem­ber, host, tournament competitor, exhibitor, media, broadcast talent, and plain old con-goer. Many conventions and brands have compensated me (or have tried to compensate me) in the past with high-end luxury accommodations worth several thousands of dollars, as well as hefty cash payments.

With all that being said, I can confidently say that Open Sauce 2024 was my favorite convention of all time.

Yes, I understand that people probably think my opinion doesn’t mean much because I got a special invite from my friend who works there. However, long-time readers know that I take my reputation very seriously and would never write an intentionally inflated or exaggerated review just to help out a friend. I have been very honest and transparent about disclosing everything up to this point, and I feel that I am being objective and unbiased with every­thing else in this blog post as well.

 
Open Sauce had a very different feel to it than any other convention I’ve ever been to, which made me enjoy it a lot more; upon some thought, I’ve con­clud­ed that that can be attributed to a handful of factors:

  • It does not feel commercialized.

    Revenue from ticket sales are pretty much never enough to run a large-scale convention. A convention center will have limited space for attendees, and consequently, there will be a limited number of tickets available for sale. If the ticket price is scaled to cover all expenses, it would be pro­hib­i­tive­ly high and cause fewer people to attend, thus reducing revenue. There is a sweet spot of balancing ticket price with attendance, and that sweet spot is usually nowhere close enough to cover expenses associated with venue rental, attractions, experiences, staffing, utilities, equip­ment, dec­o­ra­tions, marketing, etc.

    For this reason, conventions will sell space in their exhibition hall to sponsors, and these sponsors will promote their brand and products at their booth. Every other convention I’ve been to has had its exhibition hall feel like a gigantic three-dimensional billboard of endless advertisements with logos plastered everywhere. Companies furnish their booths with plush carpeting and nice fake walls to attract con-goers and incentivize them to get ex­po­sure to their brand.

    Open Sauce did not feel like this whatsoever. There were four exhibition halls, and all of them looked like massive empty warehouses with no love or care given to their presentation… which fit the convention perfectly, because it made it feel more genuine and authentic. All the focus of Open Sauce was on the science and technology of the cre­a­tions that people brought to the convention. Each booth was run by passionate scientists and inventors, not salespeople. There was nothing fancy in any of the booths—it was just the creator and the creation, and nothing else there to distract you from taking in their work.

    This doesn’t mean there were no sponsors at Open Sauce. However, the sponsors they did have were extremely well-integrated. For example, PCBWay sponsored the admission credentials for the convention, so everyone’s badge was a thin metallic circuit board (as opposed to just a flimsy piece of laminated paper like every other convention does). At their booth, you could finish soldering the connection with a battery and LED and make it light up. Formlabs also appeared to be a sponsor, and they brought high-end 3D printers that people could experiment with and try out. Both of these were directly relevant to the theme of the con­ven­tion and were actual interesting interactive things, as opposed to just ads.

    I diligently went up and down every aisle in all the exhibition halls, and I thoroughly enjoyed every moment of it. This is the one and only con­ven­tion where I regularly stopped at many booths to try out their activity because of how inherently fun all the creations looked. I heard from a mu­tu­al friend that Michael Reeves (who was also in attendance) calls it a “science fair” instead of a convention, and I think that is a pretty accurate de­scrip­tion.

  • The special guests were pleasant people.

    Due to the nature of my work at Tempo during our prior esports and influencer marketing era, I’m used to interacting with stereotypical content cre­a­tors and broadcasters, especially those related and adjacent to Twitch live streaming. I’m fairly outspoken about my dislike of most of these peo­ple due to how disconnected they are with reality—many of them have a false and egregiously inflated sense of ego and self-importance com­pared to the rest of the world, which manifests in them coming off as extremely vain, arrogant, ignorant, lazy, and irresponsible.

    Open Sauce also had content creators in attendance, but the attitudes of these content cre­a­tors were very different. They all acted like normal people, and they all treated me like a normal person. I have had my fair share of encounters with meeting Twitch streamers during which they acted genuinely insulted that I didn’t already know who they were, but all the content creators at Open Sauce introduced themselves to me with a clear intent to meet new people and make new friends. I imagine there was a fairly thorough vetting process to decide who was and was not invited as a special guest, and this vetting process was well done, because I felt comfortable around everyone who was there.

  • I personally liked how the panels were scheduled.

    Most conventions have many panels scheduled and happening at once, and attendees have to pick which ones they want to go to, oftentimes hav­ing to miss out on some panels they want to watch in lieu of others. Open Sauce seemed to have a fairly limited number of panels, and there were only two places where panels were taking place—the main stage and secondary stage.

    This had two interesting effects. First, the panels that it did have were higher-impact panels that appealed to a broader audience, as opposed to having a lot of more specialized or niche topics. Second, because there were limited options of panels to watch, the audience was naturally bigger for each of the panels. Because the main stage was in a sporting arena and the massive amount of arena seating was used for the panel audience, it actually felt nice enjoying panels together with a large group of people.

    In a similar vein, I think Open Sauce realized that, although some people attend panels to listen to the topic, many of them go just to watch their fa­vor­ite content creators and broadcast personalities speak. I heard that most panelists held small meet-and-greets after speaking, so what the pan­els functionally ended up being was an opportunity for fans to know when and where to find their favorite creator, so they can meet them af­ter­wards.

    I heard that some people didn’t like this format, but I personally think this was a very efficient and practical way to run the schedule.

  • The activities for special guests were fun and relevant.

    When I am invited as a special guest or otherwise receive VIP treatment during conventions, the “exclusive access” usually just ends up being a lounge and a networking party. Although Open Sauce also did that, they further scheduled two fun activities that really stood out to me.

    The first was a visit to “The Cave,” Adam Savage’s workshop. The second was a visit to CrunchLabs, Mark Rober’s facility. Considering that both Adam and Mark are well-known personalities in the science field, being able to see their offices was very meaningful and interesting. I didn’t watch MythBusters when it was on TV, but I do watch all of Mark Rober’s YouTube videos, so I loved being able to see in-person the things he built for his channel.

    In a not identical but still similar vein, I enjoyed the fact that there was a hotel fully booked out exclusively for special guests. At first, the staff por­trayed this as being done for “security” reasons, which made me chuckle—I’m from Las Vegas where even A-list celebrities walk the casino and ho­tel floors alongside everyone else, so the fact that YouTubers would need that level of security was funny to me. However, I realized that having this kind of hotel was a good idea for a different reason.

    What was nice about the booked-out hotel was that everyone knew everyone else there was a science-related or science-adjacent person. In a reg­u­lar hotel, if you saw a stranger, you wouldn’t know if they were there for the same convention as you, or for something else entirely unrelated. How­ever, for Open Sauce, you knew that, if someone was inside that hotel, they were definitely there for Open Sauce. This encouraged people to be much more social and approach and initiate conversation with strangers because they are going into the interaction knowing that they share some degree of interests.

The second and fourth points obviously will not be relevant if you are just a general admission attendee, but for the sake of thoroughly sharing an an­ec­dote of my own experience, I decided to still include them.

 
So, if it wasn’t blatantly clear by now… if you are interested in science and technology and want a fun and high-value convention to attend, I highly rec­om­mend Open Sauce based on my experience that I had this year. The general admission ticket for 2024 was US$200.00, which I think is a very rea­son­a­ble price for a two-day convention that has so much to do that you’ll probably fill both days from open to close with interactive experiences. Their web­site currently shows early bird purchases for 2025 coming soon at US$99.69, which I find to be insanely cheap for what you get.

Below are some photos I took (and some that others took of me) during the convention:

 

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Hello, Izakaya Rintaro in San Francisco, California

For my second dinner in the San Francisco Bay Area post-Open Sauce (the convention blog post for which is still in progress and will be published soon), my friend and I decided to go Izakaya Rintaro in San Francisco, California. Japanese is my favorite cuisine, and she had recommendations from a friend who already had a positive experience at Rintaro, so we figured this would be a good spot to check out.

For our first cold dish appetizer, we got Ika no Nuta with Monterey Bay squid, Hikari Farm Tokyo turnip, komatsuna (Japanese mustard spinach), Fuji ap­ple, and scallion with mustardy-sweet white miso.

Overall, this was a good dish taste-wise, but I couldn’t really tell that it was a squid dish, as the intensity of the squid flavor was very low relative to the tang of the sauce. This served as a great opening salad, but I didn’t think it was worth it at its price point with the squid, as the squid didn’t add much to the profile.

Our second cold dish, which wasn’t actually entirely cold, was Gindara no Sunomono with miso-cured Ft. Bragg black cod and Hikari Farm cucumbers, dressed in sweet vinegar and with a side of Half Moon Bay wasabi.

This was a nice, clean, straightforward cod dish. The ratio of cucumber to cod was a little high, but that was fine—we portioned the cucumber ac­cord­ing­ly to each bite of cod, then finished the remaining cucumber on its own as a salad. The fish was very tender, and the skin was cooked to the per­fect done­ness such that it maintained the skin-like texture but wasn’t too difficult to cut and chew.

For our drinks, we ordered off the non-alcoholic beverage menu—my friend got a Rintaro yuzu cooler with Kochi yuzu juice and seltzer, and I got a Rintaro ginger cooler with fresh ginger-lemon juice and seltzer. The yuzu cooler was sweet and had a nice yuzu flavor as you’d expect, and my ginger cooler had a rich gingery citrusy flavor with a great mixture of pungency and zestiness.

For our sashimi dish, we ordered San Ten Mori. On the sashimi plate, we received five slices each of San Diego bigeye tuna, konbu-cured San Francisco halibut, and Baja yellowtail amberjack.

The fish quality was great, but the thickness and size of the cuts were quite a bit smaller than I expected. I was also slightly disappointed at the fact that, although we got some Half Moon Bay wasabi, we didn’t get any ginger to act as a palate cleanser between the different kinds of fish.

The slices of halibut were placed on top of a slice of seaweed, but only the bottom-most cut actually touched the seaweed directly. I was the one who ended up eating that final slice, and this physical contact made for an interesting phenomenon where the flavor of the seaweed got absorbed by the halibut, thus making that last bite taste extremely rich, umami, and unique. To be clear, I don’t actually prefer that seaweed-infused halibut over clean halibut, but I definitely appreciated being able to try it at least once.

With the cold dishes done, it was time for chicken skewers. We ordered three portions of charcoal-grilled yakitori, with each portion constituting two skewers—momo (thigh) sansho, sori (oyster), and kawa (skin).

The thigh and oyster was some of the most tender chicken I’ve ever tasted. I’m not the biggest chicken skin fan, because I think it just tastes a little bit too intensely gamey of chicken, but this kawa yakitori wasn’t bad and was fairly well-balanced in flavor.

We didn’t want to be too healthy, so we threw in a fried dish to our set. We opted for Sakana Furai, consisting of minced yellowtail amberjack and white miso with fresh acme panko, snowy cabbage, and Rintaro tartar sauce.

In my opinion, this was the least memorable dish, as it basically just tasted like a fish cake. However, unexpectedly, the snowy cabbage stood out above everything else. With whatever sauce was already on it, it was joyfully delicious.

For our final main course, we ordered Kama Tama Udon. This had Rintaro hand-rolled udon “carbonara” with a raw egg yolk, butter, ginger, scallion, and freshly-shaved katsuobushi (bonito flakes).

We tossed all the sides in and gave it a good mix. The bonito flakes, made from skipjack tuna, gave the udon a rich fishy flavor, which I liked. It was also pretty salty, and even though I’m not usually a fan of excessively salty foods, the udon’s flavor had so much depth to it that the saltiness worked well in extracting and enhancing it.

Satisfied with the dishes so far, it was now time for dessert. First was Hojicha Panna Cotta, consisting of Japanese toasted green tea panna cotta with a side of hojicha syrup and almond cookies.

I’ve had panna cotta before, but none that had this kind of flavor profile. The Japanese toasted green tea gave it an extremely unique taste that was unbelievably rich and umami. It was almost like it was triggering the bitter taste receptors on my tongue to fire, but not all the way, so it seemed like it was bitter but it didn’t have any of the negative sensation usually associated with bitterness.

The presentation was also charming. The hojicha syrup came in a fun miniature cup, and it added an element of smooth sweetness without being too intense.

I think this is one of my all-time favorite desserts. I was already fairly satiated from dinner, but even then, I still literally could’ve had three or four more cups of this just because of how good it was.

Our second dessert was Sufurei Chiizu Keiki, which, as you might have guessed from the name, was Japanese soufflé cheesecake with Montmorency and Bing cherry compote.

I’m usually not the biggest fan of cheesecake, but I got this anyway for two main reasons: (1) it was marked on the menu as a limited-edition item, and (2) my friend wanted to hear me pronounce “sufurei chiizu keiki” when I ordered it. I wouldn’t say I have a strong fear of missing out, but I do still like getting limited-edition dishes because they are often experimental and I like trying unique and innovative foods.

This cheesecake did not taste like a normal cheesecake. Apparently Japanese cheesecakes are much lighter, and in my opinion, that made it significantly better. This tasted more like a fluffy pastry as opposed to a thick, blocky chunk of grease like cheesecake usually does. On top of that, the cherries bal­anced the flavor profile even more because I made sure to include some with every bite.

The restaurant was also aesthetically pleasing. I took photos of the entrance, dining area, and kitchen.

Ika no Nuta$  17.00
Gindara no Sunomono$  23.00
San Ten Mori$  45.00
Yakitori Momo Sansho$  10.00
Yakitori Sori$  12.00
Yakitori Kawa$  10.00
Sakana Furai$  21.00
Kama Tama Udon$  16.00
Hojicha Panna Cotta$  12.00
Sufurei Chiizu Keiki$  16.00
Rintaro Yuzu Cooler$   7.00
Rintaro Ginger Cooler$   7.00
Sales tax$  16.90
Gratuity$  40.00
Total$ 252.90
The table on the right shows how much we paid.

I thought this restaurant was fantastic, and it exceeded my expectations in basically every facet.

The food tasted excellent. It was obvious that all the ingredients were of high quality. All the flavors were clean, simple, and straightforward. There was no reliance on excessive amounts of salt or sugar, and the ac­tu­al contents of each dish spoke for themselves.

The order in which each item came out was also optimal for the flow of the meal (though I guess a lot of this had to do with us and the way we ordered); there were no jarring changes of flavor profile between dish­es, and everything told an overall nice flavor story.

In a similar vein, the variety of dish­es available on the menu was fairly vast. I feel like there was something available for someone with any kind of food preference (provided that you don’t hate Japanese cuisine en­tire­ly… but even then, I still think you’d be able to find something you enjoy). This let us build an entire jour­ney with our build-your-own eight-course meal.

The service was appropriately satisfactory, which is to say, also excellent. Our server was always there when we needed her and never around when we didn’t need her, which indicates that she was good at keeping an eye on us and knowing when to show up at our table. We ordered little by little based on our level of full­ness at the time, and when we were almost ready to order our next batch of items, our waitress showed up so there would be a minimal break between our items.

The ambiance was very comfortable and soothing. It was clear that they went for a cozy and casual feel, which made dining feel stress-free. It was as if we were allowed to just be ourselves, without any external pres­sure to act in a certain way. It was clear that diners wanted to reciprocate this level of respect for the cli­en­tele, so the entire vibe of the restaurant was one of peace and consideration for others.

If you’re in the San Francisco area and are willing to take a trip to the northern Mission District, and if these price points are within your budget, I highly recommend checking out Rintaro.

 

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