Hello, Chef Toyonishi’s premium tasting menu at Kase Sake and Sushi in Las Vegas, NV

One of my friends just flew in to visit for a while, so once I picked her up from the airport this evening, we wanted to get a relatively quick and light dinner afterwards. We both like sushi, so we decided on trying out Kase Sake and Sushi at the Spanish Palms Plaza in Spring Valley, Las Vegas, Nevada.

They had five different kinds of tasting menus of varying different price points—the four-course Hanban for US$32, six-course vegan Yasai for US$29, six-course Nami for US$48, seven-course Oomori for US$56, and premium nine-course Kase for US$120. As you might have guessed, we went for the premium tasting option that was named on their menu after Chef Toyonishi.

First was some salmon tartare with a side of chips. The chips were very good, but the tartare was a bit oversauced for my preference.

Next was yellowtail carpaccio topped with kimchi. This was a little bit of a mess of flavors because it felt like there was way too much going on in this dish, but if you consider it without trying to analyze the flavors too much, it was still pretty decent.

Next up was nigiri service, which came out three pieces at a time.

The scallop and sweet shrimp were good, but the portion of the fish was way too small relative to how much rice they gave—so much so that the flavor of the rice sort of just overwhelmed the taste of the fish.

The crab was… interesting, to say the least. It was a bit rubbery and wasn’t exactly the best in quality. My friend said that she would’ve rather just preferred to eat a stick of imitation crab, and that probably would’ve been better than this crab.

As an intermission from nigiri service, we got a spicy tuna hand roll. I’m usually not a fan of spicy tuna at sushi restaurants because I feel like it’s probably one of the cheapest items you can get, but this one was actually done pretty well—something crunchier was mixed in with the spicy tuna to give it an extra flavor and texture enhancement. My friend and I both commented that we liked this.

We went right back to nigiri service afterwards, with our next plate being tuna done in three ways—akami, chutoro, and otoro.

This had the same problem as the previous pieces of nigiri, in that the portion size of the tuna was so small that it just tasted like we were taking bites of rice with a sprinkling of fish. You can actually sort of tell that the akami is so ridiculously thin that it’s almost see-through on the edges.

The next set was seared wagyu beef, salmon roe, and what was supposed to be uni topped with caviar and gold leaf… but they ran out of uni. Instead, they substituted it with more of that spicy tuna mixture because the waiter had overheard us talking about how much we liked it, though I guess he missed the context about how I liked it only in comparison to other sushi restaurants’ spicy tuna, and not that I would prefer it over any other premium fish.

The salmon roe was interesting here, because it almost tasted like it had been diluted. Usually when popping the eggs in your mouth, you get a burst of thick liquid that coats the inside of your mouth with ikura flavor, but this tasted much milder and thinner, as if it had somehow been watered down.

Our last piece of nigiri was eel under a square of foie gras and topped with toasted coconut flakes. This was the one and only truly satisfying and deeply delicious item of the entire tasting menu. The amount of fish and foie gras was reasonable compared to the amount of rice, and the toasted coconut added a nice supplement to both the texture and the flavor.

Our final course of the meal was… a little lunch tin of side dishes.

This would have been fine as an appetizer or something, but this is probably one of the most confusing final courses of an omakase-inspired tasting menu that I’ve ever had. The quality of this was very underwhelming and did not even exceed regular side dishes you’d receive for free while, for example, dining in at any Korean restaurant (i.e., their “banchan”).

When I said that little lunch box was the final course, I meant it—they included no dessert in the nine-course tasting menu. They gave us some peach and watermelon gummy candy along with our check instead.

Here are some photographs I took of the interior of the restaurant.

Except for one single other group, it remained empty throughout the dining room during our entire meal, even though we went at a reasonable time for dinner. Based on my experience with this “premium” tasting menu, I guess it makes sense why they’re not doing too well.

Upon our arrival, I requested to be seated at the bar area so that we could see into the kitchen and watch the chef prepare our food while dining, but apparently that is not something that they offered, and we were seated at a booth instead.

The bar also remained empty throughout our entire meal.

Kase premium tasting menu ×2$ 240.00
Sales tax (8.375%)$  20.10
Gratuity$  35.00
Total$ 295.10
The table to the right shows how much we paid.

This was absolutely not worth it. Especially for an off-Strip restaurant, I would expect much, much more from a meal that costs almost $150 per person after sales tax and gratuity.

In the waiter’s defense, he did recommend the smaller seven-course tasting menu for $56 per person instead. The fact that he took initiative to point that out to us as the most popular option indicates to me that I probably would’ve had a better experience with the $56 option, but if it’s the case that the $120 version is so poor in value that the waiter wants to draw attention away from it, then they should probably just remove it from the menu.

I think there are two ways that they can rework the premium nine-course tasting menu to make it work. First, they can either reduce the price down to somewhere in the $70-80 range, which would keep it as a strange tasting menu, but at least it wouldn’t be egregiously overpriced. Alternatively, they can double the portion size of fish on each piece of nigiri, get rid of the weird trio of side dishes at the end of the meal, replace it with a different warm specialty dish, expand the tasting menu to ten courses, and add in a dessert at the end.

Oh, and they should never, ever let themselves run out of sea urchin, but in the outerworldly chance that they do, they should replace it with a different premium item, not spicy tuna.

They have sake in their name, so I’m guessing maybe they’re better at serving alcohol than they are at crafting premium tasting menus? Regardless, in the state that this restaurant is in now, and on the basis of my experience today, I cannot recommend Kase Sake and Sushi.

 

—§—

 

Hello, Stubborn Seed Las Vegas at Resorts World in Paradise, Nevada

I usually don’t go to restaurants on the Las Vegas Strip because of the relatively higher prices as a result of the “tourist mark-up,” but I decided to make an exception to check out Stubborn Seed at Resorts World Las Vegas on the Las Vegas Strip in Paradise, Nevada.

I opted to get the chef’s tasting menu at US$135.00 per person. I went this past Saturday, and it seems like they hadn’t swapped over to the spring rotation yet, as my menu was labeled as still being a winter menu. Each menu was custom-printed and wax sealed, and the inside had a special note welcoming my party by name.

I opted for the elevated experience for an additional US$40.00, which came with three additional appetizers.

The first was a Kaluga caviar macaron with champagne citrus crema and dill, topped with edible gold leaf.

The macaron was delicious, but I think combining it with the caviar was a bit of a waste of caviar. The macaron had a strong and sweet flavor that you’d expect from a high-quality macaron, but that flavor completely overwhelmed any semblance of caviar. I think I personally would’ve probably appreciated this more if this was separated into a standalone caviar bump to start, and a standalone macaron for dessert.

Next was a wagyu beef tartare canneloni with papaya kimchi and cured egg yolk.

This was a flavor combination that I’ve never had before. The portion size was very small, so it was sort of just gone before I had enough time to chew for a while and really take in and process the full flavor profile, but from what I did get of it, I liked it.

The third and final elevated experience appetizer was a Hudson Valley foie gras tart with fuji apple gelee, pine nut, and feuillentine.

The pailleté feuilletine was unexpectedly bitter. On paper, I think it’s reasonable to add feuilletine to foie gras for the textural variety, as well as to prepare it on the more bitter side to balance out the smooth fattiness of foie gras. But, in practice, I think the way that this particular tart was executed wasn’t the best. As a disclaimer, I’m not really the biggest foie gras enthusiast, so it might just be a matter of inexperience on my end, but I’d say this was one of my least-preferred dishes from the dinner.

With the additional appetizers from the elevated experience over, we received the first regular appetizer from the base tasting menu, Kalamata olive ciabatta with whipped feta, Kalamata dust, and pickled baby radish.

The pieces of bread were comically small, and we each only got one piece, but the little amount of bread I was able to eat was good. I’m not the biggest fan of cheese, but I didn’t sense as strong of a moldy flavor from this whipped feta like I usually do from most cheeses.

Next was uni panna cotta with yuzu gelee and orange kombu granita.

The flavor of the sea urchin was pretty mild here, and the citrus flavor basically fully masked the sea urchin. Sushi is my favorite food, and sea urchin is my favorite kind of sushi, so it’s probably unsurprising that I love it when the sea urchin flavor is intense. With that context in mind, my personal preference may have affected how I perceived the flavor profile balance of this dish; for someone who doesn’t obsess as much over sea urchin as I do, this uni panna cotta might actually be a good balance with the uni being just an accent.

After taking away our bowls, the waiter and his assistant brought out this flower and said that the next dish would be a multi-sensory experience. He poured what I assume is liquid nitrogen into the vase, saying that it would catalyze the emission of a scent. I took a good sniff, and even with my highly sensitive sense of smell, I didn’t notice any special aromas.

The dish that accompanied the scent was sake- and citrus-cured Japanese yellowtail with chili ferment, crispy tapioca, compressed Asian pear, and passion fruit buttermilk emulsion.

This was a bit too tangy and tart for my preference. I like high-fat cuts of fish, and I think all the citrus in the sauce and layered in between the yellowtail pierced too sharply through the desirable umami of the fish.

Our next dish was winter truffle ricotta gnudi with maitake mushroom, pine nuts, buttery greens, and winter black truffle.

As you can see from the photograph, this was completely buried in a thick layer of foam, so I couldn’t actually see what I was eating. I started working on whatever I could catch with my fork, and it ended up just being really bitter vegetables. Eventually, after making it over half way through the dish, I accidentally stabbed through my first piece of gnudi, all of which had apparently been arranged alongside the edge of the dish, but I couldn’t tell because of the foam.

After mixing the vegetables with the gnudi, it was far more palatable, and I would even go as far as to say that it was a good dish. But, with this comically horrific presentation, you may also end up eating only bitter vegetables for a while, then get confused during the middle of your meal as to whether you suddenly turned into a cow eating slop out of its trough.

After that miniature adventure, we reached the intermezzo of the tasting menu and received sour apple sorbet with fennel granita and rosemary gel.

This was a sweet, refreshing, delicious dessert. In the middle of our meal.

I guess the gnudi was technically our first entrée, but because of how wrong that dish went, my brain interpreted this next dish as the real first entrée: pan-roasted barramundi with baby leeks, fennel, and shiitake sofrito galangal green curry.

The fish skin was a bit tough and difficult to cut up and chew, but otherwise, the rest of the dish was amazing. The flesh of the fish was extremely tender and had a “melt in your mouth” texture. The curry had an intricate and storied taste that had a lot of deep and complex elements to its flavor profile, yet it was not overwhelming. This was my favorite dish of the dinner.

Our final entrée was Westholme Australian wagyu striploin with brown butter soubise, desert moon mushrooms, Marcona almond fermented soybean, crispy miso cabbage, and natural chicken jus.

Although this was a perfectly acceptable piece of steak, it was comparatively underwhelming considering the level of quality I was expecting from a restaurant like this. This striploin also demonstrated how meaningless the “wagyu” label has become at this point without a rating indicated after it; this had little to no marbling, and it didn’t taste any different than an average steak you’d get from an average butcher.

I think what made the steak taste even cheaper was the large amount of sauce served alongside it that closely resembled steak sauce. I often say that the only purpose steak sauce serves on steak is to cover up an underwhelming steak, because a great steak will shine on its own. The bed of sauce reminded me of what a more sophisticated version of steak sauce from the grocery store would probably be like.

To conclude our tasting menu experience, we received our real dessert, winter citrus pavlova with olive oil cake, yuzu pastry cream, and caramelized pistachios.

There was a lot going on at once here, with a bunch of different textures and multiple variants of flavors, but overall, I liked it. It wasn’t too overwhelmingly sweet, which allowed me to recognize and appreciate the contributions of the individual components of the dish.

And finally, along with our check, we each received a piece of mandarin pate de fruit.

So you may be wondering, why in the world do I have a photograph of this cheeseburger?

I usually only ever go to chef’s tasting menu or omakase experience restaurants with foodie friends who like to eat pretty much anything and everything. That’s the magic of leaving it up to the chef—you never know what you’re going to get. That’s the fun of it, and you get to listen to the chef’s story as told with the food.

Well, just like how I made an exception to my “avoid restaurants on the Las Vegas Strip” rule, I also made an exception to my “don’t go to tasting menu restaurants with picky eaters” rule. I regret doing that, because the friend who I went with… doesn’t eat fish or seafood. I ended up eating his portion of any dish that had fish or seafood in it, i.e., the Kaluga caviar macaron, uni panna cotta, cured Japanese yellowtail, and pan-roasted barramundi.

That’s quite a large portion of the meal, so to make up for it, he ordered JJ’s Guilty Pleasure Burger, a double wagyu onion smash burger with smoked beef bacon, American cheese, crispy onions, and beefy crave sauce with a side of herb bravas. I sampled a small portion of it, but I found it to be a fairly unremarkable burger, so I didn’t have more than a fraction of a bite as to not tarnish the flavor flow of the tasting menu.

Here are some photographs I took around the interior of the restaurant.

So, the final verdict? At US$175.00 per person before taxes and gratuity for the full elevated and enhanced tasting menu (without a wine pairing), I think it was underwhelming overall, but probably still fine compared to other Strip restaurants.

My perception of it might be biased because I ate so much extra food from my friend’s portion, but if it hadn’t been for that, the total amount of food given throughout the dinner felt a bit small. I personally thought the dishes were sort of a hit-or-miss, and if I were ever to go back, I would just order à la carte, start with a round of oysters, get a full portion of the barramundi, and close with a dessert to build my own meal at a much lower pricepoint.

 

—§—

 

Hello, “American Duet: Jazz & Abstract Art” at the Bellagio Gallery of Fine Art

The Bellagio Resort & Casino on the Las Vegas Strip in Paradise, Nevada has two seasonally-rotating attractions. I checked out “The Birds and The B’s” at the Conservatory and Botanical Gardens a few days ago, so it seemed reasonable to also visit the Gallery of Fine Art as well.

I’ve known that this art gallery existed for a while now, but this was my first time going. As a Las Vegas resident, I got a locals discount and purchased an admission ticket for US$15.00 (the non-discounted ticket price is US$19.00).

The gallery was a lot smaller than I expected, and it took me less than an hour to see everything, even with reading every plaque. It was a very calming and peaceful experience, though, which I found very pleasant—there were not many other patrons in the museum, and the room was humidity-controlled, which felt refreshing relative to the dry Las Vegas air.

Until summer of this year, the collection on display is called “American Duet: Jazz & Abstract Art.” Some artists are apparently able to see colors in music, and the gallery showcased some pieces of abstract art that were inspired by and sourced from jazz music.

One thing that I noticed from these exhibits that I liked is how three-dimensional the art was. Other art museums tend to have a lot of prints or paintings on flat canvas, but this collection at the Bellagio had a lot of pieces with enough depth and layers that I was able to manipulate the angle at which I viewed the piece, combined with different light trajectories, to see a lot more from the art than what you’d be able to gather from just a head-on view of a print.

Here are some photographs I took throughout the gallery:

 

—§—

 

Hello, “The Birds and The B’s” at the Bellagio Conservatory on the Las Vegas Strip

Last week, a new seasonal installation went live at the Bellagio Conservatory & Botanical Gardens inside MGM Resorts’ Bellagio Resort & Casino on the Las Vegas Strip in Paradise, Nevada. I was there last month to enjoy their “Lunar New Year 2025: Year of the Snake” display; I headed back over again to check out their new spring arrangement called “The Birds and the B’s.”

(Don’t be too harsh on my photos; I took them with one hand at 2 AM while holding a large Mountain Dew Baja Blast Zero from the Taco Bell Cantina with my other hand.)

 

—§—

 

Hello, Arte Museum Las Vegas in Paradise, Nevada

I had some free time this evening, so I decided to go check out Arte Museum Las Vegas at CityCenter on the Las Vegas Strip in Paradise, Nevada.

My ticket was US$45.00, which included admission to the museum and a drink at the Arte Café experience. That was after a US$10.00 locals’ discount for being a Las Vegas resident; those without a Nevada identification would need to pay US$55.00 for the same access.

To put it simply, the Arte Museum was a light show experience with a combination of visuals, sounds, and scents. There were a bunch of different rooms, and although not many of them were literally interactive per se, it was interactive in the sense that you could immerse yourself into the exhibits and feel fully surrounded by the varying kinds of stimulation.

The first room was called “Waterfall Infinite.”

The second area was called “Flower.” This had a few subsections: “Rose,” “Roses – Vincent van Gogh,” and “Camellia Underwater.”

Next was “Whale,” a dancing whale surrounded by the waves of the sea. I’m not sure if this was an intentional part of this room or if it was just a coincidence, but I believe even the walls were shaking and vibrating in this room in synchronization with the crashing waves.

Down the hall and through an aisle in the corner was “Star: Raindrops,” a collection of color-changing paper lanterns of different sizes hung at different heights.

Outside of “Star” was “Giant Camellia,” another flower display, but all my photos of it somehow unfortunately came out blurry, so that is unpictured here. Next to “Giant Camellia” was “Live Sketchbook: Light Safari,” an interactive exhibit where you could draw and scan animals to make them appear on the screen.

The path led up to the upper floor where I entered “Starry Beach.”

The room I spent the most time in was “Garden,” a large space with screens or mirrors on all the walls, floors, and central structures. “Garden” had three different displays on rotation: “Threads of Connection,” “Beach Aurora,” and “Light of Las Vegas.”

As the series of museum exhibits neared the end, it was time to take a short break at the café. As part of my extended access ticket, I was able to order a free drink, so I selected the seasonal lavender milk tea. I enjoyed my drink at a special table with a projector overhead that detected and followed my drink cup around with a label containing my name.

The final display was “Jungle: Glow.”

They turned the exit of the museum into an exhibit as well—it was called “Sunset” and showed the transition of colors throughout sundown as you descended the stairs.

Each of the major rooms had a special scent tied to it to make patrons’ experience more immersive. Not many museums take advantage of all your senses like Arte Museum does, and that was one of my favorite aspects of this museum. After descending “Sunset” and making it into the gift shop, I was pleased to find that the scents used in the rooms were actually for sale, so that if there was one you particularly liked, you could bring it home with you.

I think US$55.00 for a non-locals ticket for the full experience is very pricey. I obviously don’t know what their finances look like, so maybe there are enough visitors that the steep pricepoint is justifiable, but compared to other museums I’ve been to, US$55.00 seems pretty high. I went on a weekday two hours before closing time and spent an hour and a half going through everything, and it was relatively empty and peaceful.

If you want this kind of experience, then a show at the Sphere may be something to also consider and research—even though it won’t have the scents and the movement-based interactivity and immersion, the light show aspect will be comparable.

With that being said, I had a good time at Arte Museum. I think the photographs I shared here don’t really do it justice, because they’re all zoomed out as far as my camera would let me go; in-person, the displays tower over you and truly make you feel surrounded.

As a side note, if you end up visiting, make sure to actually experience the exhibits in full. The animations and light shows are on a cycle and they have a beginning and end; I saw a lot of people casually walking through the exhibits without seeing the whole thing, so if you want maximum value out of your ticket, make sure you stick around until you’ve watched the full loop for each room.

 

—§—

 

Hello, “Lunar New Year: Year of the Snake” at the Bellagio Conservatory on the Las Vegas Strip

I’ve been spending some time around the central Strip over the past few days because one of my friends is in town for a work conference; in her free time, we checked out some attractions that were conveniently in the area, one of which was the Bellagio Conservatory & Botanical Gardens inside MGM Resorts’ Bellagio Resort & Casino on the Las Vegas Strip in Paradise, Nevada.

The current set on display is called “Lunar New Year 2025: Year of the Snake.” It’s usually very popular and congested, but it calms down and gets pretty empty overnight; here are some photos I took of the installation at approximately 3 AM:

 

—§—