This is my response paper for my literature class for this week. We shifted our focus from prose to poems. We were assigned ten poems to read; for the assignment, we had to summarize all ten poems, then select one about which to write, elaborating on our impressions of the work and critically analyzing a particular topic. This week, we had to focus on symbolism.

Summary:

“Sonnet 116” by William Shakespeare is about how love is not affected by obstacles and persists throughout all challenges it may face.

“A Valediction: Forbidding Mourning” by John Donne tells about a man who has to leave his lover, but does not believe the event is one that should prompt mourning. He instead thinks that the separation will be an expansion to their love and will make the bond firmer.

“To His Coy Mistress” by Andrew Marvell is told by a man who is attempting to acquire the love of a woman by elaborating on, emphasizing, and complimenting the positive aspects of the woman.

“Elegy Written in a Country Churchyard” by Thomas Gray takes place in a churchyard that is described in great visual detail. The narrator then shifts focus over to a poet by telling about his separated life and describing his grave in the churchyard.

“The Tyger” by William Blake tells of the Tyger, a being that is described as being aesthetically appealing. The poem goes on to ask what other being is powerful enough to be able to construct the Tyger with such excellence.

“A Red, Red Rose” by Robert Burns is a poem about the narrator’s love; it is compared to various pleasant things. Towards the end, he is separated by his love, but he assures that he will once again be reunited.

“I Wandered Lonely as a Cloud” by William Wordsworth is about the narrator who wandered around like a cloud when he encountered a field of flowers, where he enjoyed the scenery. Now, when he is lonely, he thinks back to this scene and is happy again.

“Ozymandias” by Percy Byssche Shelley tells of an interaction with someone who traveled to an ancient land and came across a stone sculpted to resemble a king, which, according to the corresponding inscription, was powerful. There was nothing else around the sculpture.

“Ode on a Grecian Urn” by John Keats tells of various things that have happened, including a group of people being pursued, someone playing melodies on a pipe, some people being sacrificed, the lesson that “Beauty is truth, truth beauty.”

“Annabel Lee” by Edgar Allan Poe is told by a narrator who was the lover of Annabel Lee. One day, the angels got jealous of the love between the narrator and Annabel Lee and sent a wind that chilled Annabel to death. She was taken away by her family members. However, the narrator says that because their love was so strong, there is no way that even death can separate him from Annabel.

Impressions:

While reading through the first nine poems listed, I generally had a difficult time understanding the implied meanings of the poems, as I generally have a hard time interpreting syntax that is changed from conventional standards to add artistic value. However, when I got to the last poem, “Annabel Lee” by Edgar Allan Poe, I felt like all the literary beauty was still intact and the rhythm was pleasant, but it still flowed nicely and was easy to understand and visualize what was happening. Thus, it was my favorite poem out of the set for this week.

One thing that I particularly liked about the poem was how it was organized well as what one would expect from a conventional story. The poem starts with a description of the context and setting, which allowed me to visualize a fundamental structure upon which I could illustrate more details in my mind as the poem progressed. By the end of the poem, I was able to produce a short video in my mind and be able to really experience the poem’s message, which was difficult for many of the other poems.

Critical Analysis:

There are a handful of symbolic items in Edgar Allan Poe’s “Annabel Lee” which form a gestalt that gives a deeper meaning to the poem.

One of the most redundant forms of symbolism found throughout the poem is the sea. It is mentioned in many different contexts: “kingdom by the sea,” “demons down under the sea,” “sepulcher there by the sea,” and “tomb by the side of the sea.” In all of these situations, the sea is present when there is a connection between the narrator and Annabel, which leads me to conclude that the sea is symbolic of their love and union. The kingdom is near the sea because they both live in the same area, and are connected by area of residence. The demons are down under the sea, weighted down by the water, because no evil force can disrupt the link between the narrator and Annabel. After Annabel dies, her dead body is placed next to the sea because, as the narrator states, even death is not enough to pull them apart.

Another point of symbolism is the age of the narrator and Annabel. This is also a recurring item of interest – the narrator admits that “She was a child and I was a child,” but later clarifies that “… our love it was stronger by far than the love / Of those who were older than we– / Of many far wiser than we–.” At first, one might think that this love is just adolescent or teenage infatuation, but, as evidenced by the dedication shown by the narrator to Annabel, even after she dies, their age is not symbolic of foolishness, but actually of the true power and dedication of their love. Even when covered by the cloak of immaturity, their love still shines brightly through.

Finally, one last symbolic object that I thought was interesting was the wind. The wind is mentioned twice, once during the recount of what happened (“A wind blew out of a cloud by night / Chilling my Annabel Lee), and once when justifying Annabel being taken away (“… the wind came out of the cloud, chilling / And killing my Annabel Lee”). The wind here seems symbolic of an omen of evil; although it was sent from the heavens, it still inflicted Annabel with an illness (most likely a common cold) that went out of hand and ended up taking her life.

Overall, the symbols in Poe’s poem helps link together the different sections of the poem. They act as threads that allow us to tie together the different parts of the plot and find a theme that integrates one segment to the next.

Works Cited

Blake, William. “The Tyger.” 250 Poems: A Portable Anthology. Ed. Peter Schakel and Jack Ridl. Boston, MA: Bedford/St. Martin’s, 2009. 35. Print.

Burns, Robert. “A Red, Red Rose.” 250 Poems: A Portable Anthology. Ed. Peter Schakel and Jack Ridl. Boston, MA: Bedford/St. Martin’s, 2009. 36. Print.

Donne, John. “A Valediction: Forbidding Mourning.” 250 Poems: A Portable Anthology. Ed. Peter Schakel and Jack Ridl. Boston, MA: Bedford/St. Martin’s, 2009. 9. Print.

Gray, Thomas. “Elegy Written in a Country Churchyard.” 250 Poems: A Portable Anthology. Ed. Peter Schakel and Jack Ridl. Boston, MA: Bedford/St. Martin’s, 2009. 28. Print.

Keats, John. “Ode on a Grecian Urn.” 250 Poems: A Portable Anthology. Ed. Peter Schakel and Jack Ridl. Boston, MA: Bedford/St. Martin’s, 2009. 57. Print.

Marvell, Andrew. “To His Coy Mistress.” 250 Poems: A Portable Anthology. Ed. Peter Schakel and Jack Ridl. Boston, MA: Bedford/St. Martin’s, 2009. 23. Print.

Poe, Edgar Allan. “Annabel Lee.” 250 Poems: A Portable Anthology. Ed. Peter Schakel and Jack Ridl. Boston, MA: Bedford/St. Martin’s, 2009. 61. Print.

Shakespeare, William. “Sonnet 116.” 250 Poems: A Portable Anthology. Ed. Peter Schakel and Jack Ridl. Boston, MA: Bedford/St. Martin’s, 2009. 8. Print.

Shelley, Percy Bysshe. “Ozymandias.” 250 Poems: A Portable Anthology. Ed. Peter Schakel and Jack Ridl. Boston, MA: Bedford/St. Martin’s, 2009. 51. Print.

Wordsworth, William. “I Wandered Lonely as a Cloud.” 250 Poems: A Portable Anthology. Ed. Peter Schakel and Jack Ridl. Boston, MA: Bedford/St. Martin’s, 2009. 37. Print.